University of Pittsburgh
Russian and Soviet Cinema: Bibliography

4.10. Russian and Soviet Filmmakers

4.10.5. Russian and Soviet Filmmakers: S-Z

Sadilova, Larisa (1966- ):

• "Larisa Sadilova: Do i posle debiuta." Informatsionnyi biulleten' 1 (40), January 1999. Moskva: Kinostudiia im. Gor'kogo. 8-10.
• Makoveeva, Irina. "The Chronotope of the Maternity House." Studies in Slavic Cultures 4 (2003): 33-41.
• Sadilova, Larisa. "Nothing Personal (Nichego lichnogo, 2006)." Preface by Liubov' Arkus. Studies in Russian and Soviet Cinema 2.1 (2008): 85-129.

Saltykov, Aleksei (1934-1993)

• Dimoni, T. M. "Predsedatel': Sud'by poslevoennoi derevni v kinokartine pervoi poloviny 1960-kh godov." Otechestvenannai istoriia 6 (December 2003): 91-101.

Samoilova, Tat'iana (1934- )

• Ivanova, Valentina. "Samoilova." Zapiski literaturnogo raba. Moskva: Sovetskii pisatel', 2003. 261-269.

Savchenko, Igor' (1906-1950):

• Igor' Andreevich Savchenko, 1906-1950. Materialy k retrospektive fil'mov. Moskva: Muzei kino, 1996.
• Margolit, Evgenii. "Zaklinanie eposom: Garmon' Igoria Savchenko i genezis sovetskoi muzykal'noi komedii." Kinovedcheskie zapiski. 13 (1992): 120-133.

Shakhnazarov, Karen (1952- ):

• Eagle, Herbert. "Socialist Realism and American Genre Film: The Mixing of Codes in Jazzman." The Red Screen: Politics, Society, Art in Soviet Cinema. Ed. Anna Lawton. London: Routledge, 1992.
• Horton, Andrew. "Carnivals Bright, Dark, and Grotesque in the Glasnost Satires of Mamin, Mutafayev, and Shakhnazarov." Inside Soviet Film Satire: Laughter with a Lash. Ed. Andrew Horton. NY: Cambridge UP, 1993.
• Shakhnazarov, Karen. Kur'er. Moskva: Red Fish, 2004.

Shengelaia, El'dar (1933- ):

• Christensen, Julia. "The Films of El'dar Shengelaya: From Subtle Humor to Biting Satire." Inside Soviet Film Satire: Laughter with a Lash. Ed. Andrew Horton. NY: Cambridge UP, 1993.

Shengelaia, Georgii (1937- ):

• Bogomolov, Iu.A. "Georgii Shengelaia." Rezhissery sovetskogo khudozhestvennogo fil'ma. vyp. 3. Moskva: Soiuzinformkino, 1986. 38-42.

Shepit'ko, Larissa/Klimov, Elem:

See entry for Klimov, Elem.

Shostakovich, Dmitrii (1906-1975):

• Riley, John. Dmitri Shostakovich: A Life in Film. The Filmmaker's Companion 3. London: I.B. Tauris, 2005.

Shub, Esfir (1894-1959):

• Petríc, Vlada. "Esther Shub: Cinema is My Life." Quarterly Review of Film Studies 3.4 (Fall 1978): 429-56.
• Petríc, Vlada. "Esther Shub: Film as Historical Discourse." "Show Us Life": Toward a History and Aesthetics of the Committed Documentary. Ed. Thomas Waugh. Metuchen, NJ: Scarecrow, 1984. 21-46.
• --. "Esther Shub's Unrealized Project." Quarterly Review of Film Studies 3.4 (Fall 1978): 429-56.
• Roberts, Graham. "Esfir Shub: a suitable case for treatment." Historical Journal of Film, Radio and Television 11.2 (1991): 149-159.

Shukshin, Vasilii (1929-1974):

• Fomin, Valerii. Peresechenie parallel'nykh: Lotianu, Il'enko, Ioseliani, Mansurov, Okeev, Panfilov, Shukshin. Moskva: Iskusstvo, 1976.
• Gillespie, David C. "The Sounds of Music: Soundtrack and Song in Soviet Film." Slavic Review 62.3 (Fall 2003): 473-490.
• Givens, John. "Screening the short story: the films of Vasilii Shukshin." Russian and Soviet Film Adaptations of Literature, 1900-2001: Screening the word. London: RoutledgeCurzon, 2005. 116-131.
• Ivanova, Valentina. "Shukshin." Zapiski literaturnogo raba. Moskva: Sovetskii pisatel', 2003. 232-243.
• Shukshin, Vasilii. Kinopovesti. Moskva: Iskusstvo, 1975.
• --. Povesti dlia teatra i kino. Moskva: Izvestiia, 1984.
• Tiurin, Iurii. Kinematograf Vasiliia Shukshina. Moskva: Iskusstvo, 1984.
• Zabolotskii, A. Shukshin v kadre i za kadrom. Moskva: Al'pari, 1997.
• Zorkaia, Neia. "Kalina krasnaia--zaveshchanie Vasiliia Shukshina." Krutitsia, vertitsia shar goluboi: Desiat' shedevrov sovetskogo kino. Moskva: Znanie, 1998. 139-150.

Shumiatskii, Boris (1886-1938):

• Bagaev, B. Boris Shumiatskii. Krasnoiarsk, 1974.
• Shumiatskii, Boris. Kinomatografiia millionov. Moscow: Kinofotoizdat, 1935.
• Taylor, Richard. "Boris Shumyatsky and Soviet Cinema in the 30s: Ideology as Mass Entertainment." Historical Journal of Film, Radio and Television 6.1 (March 1986): 43-64.
• --. "A 'Cinema for the Millions': Soviet Socialist Realism and the Problem of Film Comedy." Journal of Contemporary History 18 (1983): 439-61.
• --. "Ideology as Mass Entertainment: Boris Shumayatsky and Soviet Cinema in the 1930s." Inside the Film Factory: New Approaches to Russian and Soviet Cinema. Ed. Richard Taylor and Ian Christie. London: Routledge, 1991.

Shvarts, Evgenii (1896-1958):

• Shvarts, Evgenii. Zolushka. Biblioteka Kinodramaturga. SPb: Seans / Amfora, 2006.

Smirnova, Dunia (1969- ):

• Smirnova, Dunia. S moroza. SPb: Seans / Amfora, 2007.
• --. Sviaz' i drugie kinostsenarii. Biblioteka Kinodramaturga. SPb: Seans / Amfora, 2006.

Smoktunovskii, Innokentii (1925-1994):

• Smoktunovskii, Innokentii. Byt'. Moskva: Algoritm, 1999.

Soiuzmul'tfil'm:

1933: Soiuzdetmul'tfil'm
1935: Soiuzmul'tfil'm

• Venzher, Nataliia, ed. Sotvorenie fil'ma, ili neskol'ko interv'iu po sluzhebnym voprosam. Moskva: Kinotsentr, 1990.

Sokurov, Aleksandr (1951- ):

• Alaniz, José. "'Nature', illusion and excess in Sokurov's Mother and Son." Studies in Russian and Soviet Cinema 2.2 (2008): 183-204.
• "Aleksandr Sokurov: Dni zatmenija." URSS: Dal disgelo alla Perestroijka. Quadreno informativo XXV Mostra Internazionale del Nuovo Cinema. Pesaro, 1989. 48-57.
• Arkus, Liubov', ed. Sokurov. Sankt-Peterburg: Seans, 1994.
• ---. Sokurov: Chasti rechi. Sankt-Peterburg: Seans, 2006.
• Aronson, Oleg. "Giperdokument, ili Svidetel'stvo o zhizni: Lenin po Aleksandru Sokurovu." Metakino. Moskva: Ad Marginem, 2003. 173-183.
• Beumers, Birgit. "And the Ship Sails On...: Sokurov's Ghostly Ark of Russia's Past." Rossica 9 (Winter 2003): 56-59.
• Buttafava, Giovanni. "Interview with Aleksandr Sokurov." Lenfilm and the Liberation of Soviet Cinema. Rotterdam: Rotterdam Film Festival, 1990. 35-44.
• Buzhovich, Victor. "Out of Bounds." Russian Critics on the Cinema of Glasnost. Ed. Michael Brashinsky and Andrew Horton. NY: Cambridge UP, 1994.
• Christie, Ian. "The Civilizing Russian." Sight and Sound 13.4 (2003): 10-11.
• Condee, Nancy. "Aleksandr Sokurov: Shuffling Off the Imperial Coil." In The Imperial Trace: Recent Russian Cinema. By Nancy Condee. NY: Oxford UP, 2009. 159-184.
• De Keghel, Isabelle. "Sokurov's Russian Ark: Reflections on the Russia/Europe Theme." In Russia and its Other(s) on Film: Screening Intercultural Dialogue . Ed. Stephen Hutchings. NY: Palgrave Macmillan, 2008. 77-94.
• Galetski, Kirill. "The Foundations of Film Art: An Interview With Alexander Sokurov." Cineaste 26.3 (summer 2001): 4-9.
• German, Aleksey. "My Friend Aleksandr Sokurov." Lenfilm and the Liberation of Cinema. Rotterdam: Rotterdam Film Festival, 1990. 30-34.
• Harte, Tim. "A Visit to the Museum: Aleksandr Sokurov's Russian Ark and the Framing of the Eternal." Slavic Review 64.1 (Spring 2005): 42-58.
• Hoberman, J. "And the Ship Sails On." Film Comment 38.5 (September/October 2002): 54.
• Iampolski, Mikhail. "Representation--Mimicry--Death: The Latest Films of Alexander Sokurov." Russia on Reels: The Russian Idea in Post-Soviet Cinema. Ed. Birgit Beumers. London: I.B. Tauris, 1999. 127-143.
• Iampol'skii, Mikhail. "Platonov, prochitannyi Sokurovym." Kinovedcheskie zapiski 5 (1990): 53-67.
• Ivanova, Valentina. "Sokurov." Zapiski literaturnogo raba. Moskva: Sovetskii pisatel', 2003. 254-261.
• Jameson, Frederic. "History and Elegy in Sokurov." Critical Inquiry 33.1 (Autumn 2006): 1-12.
• Khrenova, D.N. "Litso i telo v kinematografe Aleksandra Sokurova." Kinovedcheskie zapiski 33 (1997): 199-204.
• Menashe, Louis. "Filming Sokurov's Russian Ark: An Interview with Tilman Büttner." Cineaste 28.3 (Summer 2003): 21-23.
• Moskvina, Tatyana. "A Billion Years Before the End of Cinema." Russian Critics on the Cinema of Glasnost. Ed. Michael Brashinsky and Andrew Horton. NY: Cambridge UP, 1994.
• Niney, François. "Alexandre Sokourov: La contemplation ironique." Ciné-perestroika: le rideau déchiré. Special URSS. Cahiers de cinéma 427 (January 1990). 72-73
• Schrader, Paul. "'The History of an Artist's Soul is a Very Sad History': Interview with Aleksandr Sokurov." Film Comment 33.6 (Dec. 1997): 20-25.
• Sokurov, Aleksandr. "Interview with Aleksandr Sokurov." Trans. Jeremi Szaniawski. Critical Inquiry 33.1 (Autumn 2006): 13-27.
• Szaniawski, Jeremi. "Historic Space in Sokurov's Moloch, Taurus and The Sun." Studies in Russian and Soviet Cinema 1.2 (2007): 147-162.
• Turovskaya, Maya. "Days of Eclipse." Russian Critics on the Cinema of Glasnost. Ed. Michael Brashinsky and Andrew Horton. NY: Cambridge UP, 1994.
• Yampolski, Michail. "From Social Clichés to the Metaphysics of the Body." Lenfilm and the Liberation of Soviet Cinema. Rotterdam: Rotterdam Film Festival, 1990. 45-49.
• Yampolsky, Mikhail. "Chekhov/Sokurov: Repetition and Recollection." Postcommunism: Rethinking the Second World. New Formations 22 (Spring 1994): 48-58.
• --. "Death in Cinema." Re-Entering the Sign: Articulating New Russian Culture. Ed. Ellen E. Berry and Aness Miller-Pogacar. Ann Arbor: U of Michigan P, 1995.
• --. "The World as a Mirror of the Other World." Russian Critics on the Cinema of Glasnost. Ed. Michael Brashinsky and Andrew Horton. NY: Cambridge UP, 1994.
• Zenzinov, A. B. "Fizicheskaia real'nost': k reabilitatsii cherez deformatsiiu (ob igrovom kinematografe Aleksandra Sokurova." Kinovedcheskie zapiski 33 (1997): 183-198.

Solov'ev, Sergei (1944- ):

• Boym, Svetlana. "Perestroika of Kitsch: Sergei Solov'ev's Black Rose, Red Rose." Inside Soviet Film Satire: Laughter with a Lash. Ed. Andrew Horton. NY: Cambridge UP, 1993.
• Shitova, V. "V svoem kontekste, ili 'Dve pesni o rodine' kinorezhissera Sergeia Solov'eva." Kinovedcheskie zapiski 4 (1989): 22-34.
• Timofeevsky, Alexander. "The Tenderest Shroud." Russian Critics on the Cinema of Glasnost. Ed. Michael Brashinsky and Andrew Horton. NY: Cambridge UP, 1994.

Starewicz, Wladislaw (1882-1965):

• Beatrice, Leona and François Martin. Ladislas Starewitch, 1882-1965. Paris: L'Harmattan, 2003.
• Danks, Adrian. "Ladislaw Starewicz and The Mascot." Sense of Cinema. April 2004. Senses of Cinema.
LI>"Dolls in Motion: Starevitch Reveals Secrets." World Film News and Television Progress. April 1936: 13.
• Iampol'skii, Mikhail. "Starevich: Mimika nasekomykh i kul'turnaia traditsiia." Kinovedcheskie zapiski 1 (1988): 84-90.
• Levchenko, Ian. "Mezhdu kukloi i chertom: Vladislav Starevich i ekranizatsiia Gogolevskoi fantastiki." Novoe Literaturnoe Obozrenie 61 (2003): 164-178.
• Pagliano, Jean-Pierre. "Starewitch plus intime." Positif 371 (1992): 90-91.
• Pilling, Jayne, ed. Starewicz, 1882-1965. Edinburgh: 37th Edinburgh International Film Festival, 1983.
• Potamkin, Harry. "Ladislas Starevich and his Doll Films." Theatre Guild Magazine 7.3 (1929): 1-2.
• Schneider, Eric. "Entomology and Animation: A Portrait of An Early Master Ladislaw Starewicz." Animation World Magazine 5.02 (May 1, 2000). Animation World Magazine.
• Tsivian, Yuri. "The Case of the Bioscope Beetle: Starewicz's Answer to Genetics." Discourse: Journal for Theoretical Studies in Media and Culture 17 (1995): 119-125.

Stol'per, Aleksandr (1907-1979):

• Kaganovsky, Lilya. How the Soviet Man was Unmade: Cultural Fantasy and Male Subjectivity under Stalin. Pittsburgh: U of Pittsburgh P, 2008.
• Lahusen, Thomas. "Thousand and One Nights in Stalinist Culture: Far From Moscow." Discourse 17.3 (Spring 1995): 58-74.
• Murashov, Iurii. "Slepye geroi--slepye zriteli: O statuse zreniia i slova v sovetskom kino." Sovetskoe bogatstvo: Stat'i o kul'ture, literature i kino. Ed. Marina Balina, Evgenii Dobrenko, and Iurii Murashov. St. Peterburg: Akademicheskii proekt, 2002. 412-426.
• Prokhorov, Alexander. "Soviet Family Melodrama of the 1940s and 1950s: From Wait for Me to The Cranes Are Flying." Imitations of Life: Two Centuries of Melodrama in Russia. Ed. Louise McReynolds and Joan Neiberger. Durham: Duke UP, 2002: 208-231.

Surikova, Alla (1940- ):

• Smirnov, V.E. "Alla Surikova." Rezhissery sovetskogo khudozhestvennogo fil'ma. vyp. 3. Moskva: Soiuzinformkino, 1986. 35-38.

Suzdal Animation Film Festival

• Lukinykh, Natal'ia. "Inspired by the Oscar, Hardened by the Marketplace (On the Everydays and Holidays of Russian Animation." Trans. Vladimir Padunov. KinoKultura 13 (July 2006).

Tarich, Iurii (1885-1967)

• Serikinskii, S. S. "Chetyre 'Kapitanskie dochki'." Otechestvennaia istoriia 6 (December 2003): 108-117.

Tarkovskii, Andrei (1932-1986):

• Anninskii, Lev. Shestidesiatniki i my, Moskva: Kinotsentr, 1991.
• Barratt, Andrew. "In the Name of the Father: The Eisenstein Connection in Films by Tarkovsky and Askoldov." Eisenstein at 100: A Reconsideration. Ed. Al LaValley and Barry P. Scherr. New Brunswick: Rutgers UP, 2001. 148-160.
• Bird, Robert. Andrei Tarkovsky: Elements of Cinema. London: Reaktion Books, 2008.
• --. Andrei Rublev. BFI Film Classics. London: BFI Publishing, 2005.
• Boldyrev, Nikolai. Stalker, ili Trudy i dni Andreia Tarkovskogo. Cheliabinsk: Izd. Ural L.T.D., 2002.
• --. Zhertvoprinoshenie Andreia Tarkovskogo. Moskva: Vagrius, 2004.
• Borin, Fabrizio. La arte allo speggio: il cinema de Andrej Tarkovskij. Rome: Jouvence, 2004.
• DeBaecque, Antoine. Andrei Tarkovski. Paris: Éditions de l'Étoile/Cahiers du cinéma< 1989.
• Dunne, Nathan, ed. Tarkovsky. London: Black Dog Publishing, 2008.
• Evlampiev, Igor'. Khudozhestvennaia filosofiia Andreia Tarkovskogo. St. Petersburg: Aleteiia, 1991.
• Filippov, Sergei. "Teoriia i praktika Andreia Tarkovskogo." Kinovedcheskie zapiski 56 (2002): 41-88.
• Green, Peter. Andrei Tarkovsky: The Winding Quest. Basingstoke, Hampshire: Macmillan, 993.
• Hancock, Stuart C. "Andrei Tarkovsky: Master of the Cinematic Image." Mars Hill Review 4 (Winter/Spring 1996): 136-146. Mars Hill Review.
• Hillman, Roger. "Tarkovsky's Odes to... Joy?" Slavic and East European Performance 17.3 (Fall 1997): 31-6.
• Iaropolov, Iaroslav, sost. Andrei Tarkovskii. Moskva: Algoritm, 2002.
• Johnson, Vida. "Eisenstein and Tarkovsky: A Montage of Attractions." Eisenstein at 100: A Reconsideration. Ed. Al LaValley and Barry P. Scherr. New Brunswick: Rutgers UP, 2001. 161-168.
• ---. "Laughter Beyond the Mirror: Humor and satire in the Cinema of Andrei Tarkovsky." Inside Soviet Film Satire: Laughter with a Lash. Ed. Andrew Horton. NY: Cambridge UP, 1993.
• -- and Graham Petrie. The Films of Andrei Tarkovsky: A Visual Fugue. Bloomington: Indiana UP, 1994.
• --. "Tarkovsky." Five Filmmakers: Tarkovsky, Forman, Polanski, Szabó, Makavejev. Ed. Daniel J. Goulding. Bloomington: Indiana UP, 1994.
• Jünger, Hans-Dieter. Kunst der Zeit under des Erinnerns: Andrej Tarkowskijs Konzept des Films. Ostfildern: Ed. Tertium, 1995.
• Karriker, Alexandra Heidi. "Patterns of Spirituality in Tarkovsky's Later Films." Before the Wall Came Down: Soviet and East European Filmmakers Working in the West. Ed. Graham Petrie and Ruth Dwyer. Lanham: UP of America, 1990.
• Kinovedcheskie zapiski 14 (1992). Special issue devoted to the 60th anniversary of Andrei Tarkovskii's birth.
• Kononenko, Nataliia. "Amorfnoe vremia muzykal'nykh introspektsii Andrei Tarkovskogo." Iskusstvoznanie XXXI (1, 2008): 160-175.
• Král, Petr. "Tarkovsky, or the Burning House." Trans. Kevin Windle. Slavic and East European Performance 15.3 (Fall 1995): 51-57; 16.1 (Winter 1996): 51-57; 16.2 (Spring 1996): 50-56.
• Kus'merchik, Severin. "Stalker kak ikona." Kinovedcheskie zapiski 3 (1989): 176-184.
• Leach, Jim. "Hideousness and Beauty: A Reading of Tarkovsky's The Sacrifice." Before the Wall Came Down: Soviet and East European Filmmakers Working in the West. Ed. Graham Petrie and Ruth Dwyer. Lanham: UP of America, 1990.
• Lefanu, Mark. The Cinema of Andrei Tarkovsky. Urbana: U of IL P, 1988.
• Liu, Ian'pin. "Simvolika Tarkovskogo i daosizm." Kinovedcheskie zapiski 9 (1991): 154-165.
• Macgillvray, James. "Andrei Tarkovsky's Madonna del Parto." Revue canadienne d'études cinématographiques. 11.2 (Fall 2002): 82-99.
• Makolkina, Anna. "A Nostalgic Vision of Tarkovsky's Nostalgia." Before the Wall Came Down: Soviet and East European Filmmakers Working in the West. Ed. Graham Petrie and Ruth Dwyer. Lanham: UP of America, 1990.
• Nardin, Massimo. Evocare l'inatteso: lo sgurado transfigurante nel cinema di Andrej Tarkovskij. Milan: ANCCI, 2002.
• Petrovskii, I.M. "Andrei Tarkovskii i Fedor Tiutchev." Kinovedcheskie zapiski 9 (1991): 169-182/
• Rostotskaia, M., ed. Andrei Tarkovskii: nachalo ... i puti. Moskva: VGIK, 1994.
• Salynskii, Dmitrii. "Kanon Tarkovskogo." Kinovedcheskie zapiski 56 (2002): 6-40.
• ---. "Kinogermenevtika Tarkovskogo." Kinovedcheskie zapiski 31 (1996): 188-198.
• Sandler, A.M., ed. Mir i fil'my Andreia Tarkovskogo. Moskva: Iskusstvo, 1991.
• Semeniuk, V.K. "Za Zerkalom." Kinovedcheskie zapiski 9 (1991): 183-186.
• Shemiakin, Andrei. "Konchalovskii i Tarkovskii: Vmest i vroz." Kinematograf ottepeli. Kniga vtoraia. Ed. Vitalii Troianovskii. Moskva: Materik, 2002. 228-300.
• Shepotinnik, Peter. "With Perestroika, Without Tarkovsky." The Red Screen: Politics, Society, Art in Soviet Cinema. Ed. Anna Lawton. London: Routledge, 1992.
• Shumakov, S.L. "V poiskakh utrachennogo slova." Kinovedcheskie zapiski 3 (1989):163-175.
• Siladi, Akosh and Andrash Balint Kovach. "'Zona' i 'narushiteli'." Kinovedcheskie zapiski 3 (1989): 185-191.
• Smith, Alexandra. "Andrei Tarkovsky as Reader of Arsenii Tarkovsky's Poetry in the Film Mirror." Russian Literature on the Silver Screen (II). Russian Studies in Literature. 40.3 (Summer 2004): 46-63.
• Surkova, Ol'ga. "Avtobiograficheskie motivy v tvorchestve Andreia Tarkovskogo." Kinovedcheskie zapiski 9 (1991): 187-193.
• --. Kniga sopostanovlenii: Tarkovskii--79. Moskva: Kinotsentr, 1991.
• --. S Tarkovskim i o Tarkovskom. Moskva: Raduga, 2005.
• --. Tarkovskii i Ia Moskva: Eskmo, 2002.
• Synessios, Natasha. Mirror. KINOfile Film Companion 6. London: I.B. Taurus, 2001.
• Talybov, Aidyn. "Sakral'naia zona magistra ili prostranstvo zrimykh oshchushchenii." Kinovedcheskie zapiski 9 (1991): 166-168.
• Tarkovskaia, Marina A., comp. About Andrei Tarkovsky. Moskva: Progress, 1990.
• --. O Tarkovskom. Moskva: Progress, 1989.
• --. O Tarkovskom: Vospominaniia v dvukh tomakh. Moskva: Dedalus, 2002.
• Tarkovsky, Andrei. Andrei Roublev. Paris: Les éditeurs françaises réunis, 1970.
• --. Andrej Rubljow: Filmtext und Dokumente. Kinemathek 41 (July, 1969).
• --. Sculpting in Time: Reflections on the Cinema. Tr. Kitty Hunter-Blair. London: The Bodley Head, 1986.
• --. Time Within Time: The Diaries, 1970-1986. Trans. Kitty Hunter-Blair. Calcutta: Seagull, 1991.
• Tiurin, Iurii. "Andrei Rublev" in Perpsektiva pamiati. Moskva: Materik, 2004. 6-51.
• Turovskaya, Maya. Tarkovsky: Cinema as Poetry. Tr. Natasha Ward. London: Faber and Faber, 1989.
• Turovskaia, Maia. "Peisazh dushi posle ispovedi." Kinovedcheskie zapiski 3 (1989): 153-162.
• --. 7 1/2 ili fil'my Andreia Tarkovskogo. Moskva: Iskusstvo, 1991.
• Zorkaia, Neia. "Andrei Rublev i sud'ba Andreia Tarkovskogo." Krutitsia, vertitsia shar goluboi: Desiat' shedevrov sovetskogo kino. Moskva: Znanie, 1998. 151-172.

Timoshenko, Semen (1899-1958):

• Haynes, John. "Film as Political Football: The Goalkeeper." Studies in Soviet and Russian Cinema 1.3 (2007): 283-297.
• Kaganovsky, Lilya. How the Soviet Man was Unmade: Cultural Fantasy and Male Subjectivity under Stalin. Pittsburgh: U of Pittsburgh P, 2008.

Todorovskii, Petr (1925- ):

• Bogomolov, Iurii. Petr Todorovskii: tvorcheskii portret. Moskva: Soiuzinformkino, 1989.
• Larsen, Susan. "Melodramatic Masculinity, National Identity, and the Stalinist Past in Postsoviet Cinema." Studies in 20th Century Literature: Russian Culture of the 1990s. Ed. Helena Goscilo) 24.1 (Winter 2000): 85-120.

Trauberg, Leonid (1901-1990):

• Chanyshev, I.I., comp. Trilogiia o Maksime. Shedevry mirovogo kino. Moskva: Iskusstvo, 1981.
• Houten, Theodore van. "'Eisenstein was Great Eater': In Memory of Leonid Trauberg." Buren, Netherlands: Arts & Research/Graduate Press, 1991.
• ---. "Leonid Trauberg and His Films: Always the Unexpected." Buren, Netherlands: Arts & Research/Graduate Press, 1989.
• Kaganovsky, Lilya. "The Voice of Technology and the End of Soviet Silent Film: Grigorii Kozintsev and Leonid Trauberg's Alone." Studies in Russian and Soviet Cinema 1.3 (2007): 265-281.
• Nedobrovo, Vladimir. FEKS: Grigorii Kozintsev. Leonid Trauberg. Moskva-Leningrad: Kinopechat', 1928.
• Trauberg, Leonid. Chai na dvoikh. Moskva: Kinotsentr, 1993.
• --. Izbrannye proizvedeniia v dvukh tomakh. Moskva: Iskusstvo, 1988.
• Zorkaia, Neia. "Iunost' Maksima kak prikliuchencheskaia lenta." Krutitsia, vertitsia shat goluboi: Desiat' shedevrov sovetskogo kino. Moskva: Znanie, 1998. 95-108.

Tsukerman, Slava:

• Batchan, Alexander. "The 'Alienation' of Slava Tsukerman." Before the Wall Came Down: Soviet and East European Filmmakers Working in the West. Ed. Graham Petrie and Ruth Dwyer. Lanham: UP of America, 1990.

Tsymbal, Evgenii (1949 - ):

• Nichols, Mary A. "Genuine Facts and Real People: The Tale of the Unextinguished Moon in Fiction and Film." Russian Literature on the Silver Screen. Russian Studies in Literature. 40.2 (Spring 2004): 78-97.

Turin, Viktor (1895-1945):

• Payne, Matthew J. "Viktor Turin's Turksib (1929) and Soviet Orientalism." Historical Journal of Film, Radio and Television 21.1 (2001): 37-62.

Uchitel', Aleksei (1951- ):

• Samutina, Natal'ia. "Prazdnik neodnoznachnosti, ili kak sdelan Dnevnik ego zheny Alekseia Uchitelia." Neprikosnovennyi zapas 2 (16) 2001: 100-105.
• Sirivlia, Natal'ia. "Velikii i nevynosimyi." SK--Novosti 27 (63) 2000: 12.

Urusevskii, Sergei (1908-1974):

• Merkel', Maia. "S.P. Urusevskii." Desiat' operatorskikh biografii. Ed. Marina Goldovskaia. Moskva: Iskusstvo, 1978. 177-195.
• ---. Ugol zreniia (Dialogi s Urusevskim). Moskva: Iskusstvo, 1980.
• Urusevskii, Sergei. S kinokameroi i za mol'bertom. Moskva: Algoritm, 2002.

Valutskii, Vladimir (1936- ):

• Pervaia vstrecha, posledniaia vstrecha... i drugie kinostsenarii. Biblioteka Kinodramaturga. SPb: Seans / Amfora, 2008/

"Vasil'ev Brothers":
Vasil'ev, Georgii (1899-1946) and Vasil'ev, Sergei (1900-1959):

• "Brat'ia Vasil'evy." Sobranie sochinenii v trekh tomakh. Moskva: Iskusstvo, 1981-1983.
• Dobrenko, Evgeny. "Creation Myth and Myth Creation in Stalinist Cinema." Studies in Russian and Soviet Cinema 1.3 (2007): 239-264.
• Hicks, Jeremy. "Educating Chapaev: from document to myth." Russian and Soviet Film Adaptations of Literature, 1900-2001: Screening the word. London: RoutledgeCurzon, 2005. 44-58.
• Klado, N. and D. Shpirkan, comp. Brat'ia Vasil'evy: Zhizn' i tvorchestvo. Moskva: Biuro propagandy sovetskogo kinoiskusstva, 1978.
• Tarabukin, N.M. "Smysl diagonal'nykh postroenii v kompozitsii fil'ma Chapaev." Kinovedcheskie zapiski 56 (2002): 115-128.
• Zorkaia, Neia. "Chapaev i teplota." Krutitsia, vertitsia shar goluboi: Desiat' shedevrov sovetskogo kino. Moskva: Znanie, 1998. 79-94.

Vertov, Dziga [Denis Kaufman] (1896-1954):

• Aronson, Oleg. "Kommunizm vrasplokh: Neokonchennyi eksperiment Dzigi Vertova." Metakino. Moskva: Ad Marginem, 2003. 75-89.
• Bordwell, David. "Dziga Vertov: An Introduction." Film Comment 8.1 (Spring 1972): 38-45.
• Bulgakowa, Oksana. "Von der Erfindung des Films zum zweiten Mal." Apparatur und Rhapsodie: Zu den Filmen des Dziga Vertov. Ed. Natascha Drubek-Meyer and Jurij Murasov. Berliner Slawistische Arbeiten 8. Frankfurt: Peter Lang, 2000. 103-117.
• Cook, Simon. "'Our Eyes, Spinning Like Propellers': Wheel of Life, Curve of Velocities, and Dziga Vertov's 'Theory of the Interval'." In New Vertov Studies. Ed. Malcolm Turvey and Annette Michelson. October 121 (Summer 2007): 79-91.
• Crofts, Stephen and Olivia Rose. "An Essay towards Man with the Movie Camera." Screen 18.1 (1977): 9-57.
• Depretto, Jean-Paul. "La Symphonie du Donbass (1931) de Dziga Vertov." In Le Cinéma "stalinien": Questions d'histoire. Ed. Natacha Laurent. Toulouse: Presses Universitaires de Mirail, 2003. 153-165.
• Drubek-Meyer, Natascha and Jurij Murasov, eds. Apparatur und Rhapsodie: Zu den Filmen des Dziga Vertov. Berliner Slawistische Arbeiten 8. Frankfurt: Peter Lang, 2000.
• Dziga Vertov zum 100. Geburtstag. Special issue of Maske und Kothurn: International Beiträge zur Theaterwissenschaft. 42.1 (1996).
• Eisenschitz, Bernard. "Maiakovski. Vertov." Russie années vingt. Cahiers de cinema 220-221 (May--June 1970). 26-30.
• Feldman, Seth R. "'Cinema Weekly' and 'Cinema Truth': Dziga Vertov and the Leninist Film Proportion." "Show Us Life": Toward a History and Aesthetics of Committed Documentary. Ed. Thomas Waugh. Metuchen, NJ: Scarecrow P, 1984. 3-20.
• --. Dziga Vertov: A Guide to References and Resources. NY: G.K. Hall & Co., 1979.
• --. The Evolution of Style in the Early Work of Dziga Vertov. NY: Arno P, 1977.
• Fischer, Lucy. "Enthusiasm: From Kino-Eye to Radio-Eye." Film Quarterly 31.2 (Winter 1977-78): 247-64.
• Gillespie, David. "Dziga Vertov: Life Caught Unawares." Early Soviet Cinema: Innovation, Ideology and Propaganda. By David Gillespie. London: Wallflower Pub., 2000. 71-82.
• ---. "The Man with a Movie Camera: Man and machine." Early Soviet Cinema: Innovation, Ideology and Propaganda. London: Wallflower, 2000. 79-82.
• Hicks, Jeremy. Dziga Vertov: Defining Documentary Film. London: I. B. Tauris, 2007.
• Kanzog, Klaus. "Internationale Religiosität. Elementarstrukturen der visuellen Rhetorik in Dziga Vertovs Drei Lieder über Lenin." Apparatur und Rhapsodie: Zu den Filmen des Dziga Vertov. Ed. Natascha Drubek-Meyer and Jurij Murasov. Berliner Slawistische Arbeiten 8. Frankfurt: Peter Lang, 2000. 201-220.
• Kujundzic, Dragan. "Dziga Vertov or the Return of the Sight (Five Intervals)." Apparatur und Rhapsodie: Zu den Filmen des Dziga Vertov. Ed. Natascha Drubek-Meyer and Jurij Murasov. Berliner Slawistische Arbeiten 8. Frankfurt: Peter Lang, 2000. 171-199.
• Kukuy, Ilja. "'Verschiedenes über dasselbe': Vertov und Godard." Apparatur und Rhapsodie: Zu den Filmen des Dziga Vertov. Ed. Natascha Drubek-Meyer and Jurij Murasov. Berliner Slawistische Arbeiten 8. Frankfurt: Peter Lang, 2000. 89-102.
• Listov, Viktor. "Vertov--Einst und für immer." Apparatur und Rhapsodie: Zu den Filmen des Dziga Vertov. Ed. Natascha Drubek-Meyer and Jurij Murasov. Berliner Slawistische Arbeiten 8. Frankfurt: Peter Lang, 2000. 17-42.
• --. "Vertov: odnazhdy i vsegda." Kinovedcheskie zapiski 18 (1993): 121-43.
• MacKay, John. "Allegory and Accomodation: Vertov's Three Songs of Lenin (1934) as a Stalinist Film." Film History: An International Journal 18.4 (2006): 376-391.
• ---, "Disorganized Noise: Enthusiasm and the Ear of the Collective." KinoKultura 7 (January 2005).
• --. "Film Energy: Process and Metanarrative in Dziga Vertov's The Eleventh Year." In New Vertov Studies. Ed. Malcolm Turvey and Annette Michelson. October 121 (Summer 2007): 41-78.
• ---. "The 'Spinning Top' Takes Another Turn: Vertov Today." KinoKultura 8 (April 2005).
• Marshall, Herbert. Masters of the Soviet Cinema: Crippled Creative Biographies. London: Routledge and Kegan Paul, 1983.
• Mayne, Judith. "Man With a Movie Camera and Woman's Work." Kino and the Woman Question: Feminism and Soviet Silent Cinema By Judith Mayne. Columbus: Ohio State UP, 1989. 154-183.
• Michelson, Annette. "From Magician to Epistemologist: The Man With the Movie Camera." Maske und Kothurn: International Beiträge zur Theaterwissenschaft: Dziga Vertov zum 100. Geburtstag 42.1 (1996): 54-74.
• --. "The Kinetic Icon and the Work of Mourning: Prologomena to the Analysis of a Textual System." The Red Screen: Politics, Society, Art in Soviet Cinema. Ed. Anna Lawton. London: Routledge, 1992.
• --. "The Kinetic Icon in the Work of Mourning: Prolegomena to the Analysis of a Textual System." October 52 (Spring 1990): 17-51.
• --. "The Man With a Movie Camera: From Magician to Epistemologist." Artforum 10.7 (Feb 1971): 60-72.
• Murasov, Jurij. "Die Frau im Zeitalter ihrer kinematographischen Reproduzierbarkeit. Vertov's Wiegenlied und das Don-Juan-Syndrom." Apparatur und Rhapsodie: Zu den Filmen des Dziga Vertov. Ed. Natascha Drubek-Meyer and Jurij Murasov. Berliner Slawistische Arbeiten 8. Frankfurt: Peter Lang, 2000. 221-245.
• Papazian, Elizabeth Astrid. Manufacturing Truth: The Documentary Moment in early Soviet Culture. DeKalb: Northern Illinois UP, 2009.
• Petric, Vlada. "Cinematic Abstraction as a Means of Conveying Ideological Messages in The Man With the Movie Camera. The Red Screen: Politics, Society, Art in Soviet Cinema. Ed. Anna Lawton. London: Routledge, 1992.
• --. Constructivism in Film: The Man with a Movie Camera. NY: Cambridge UP, 1987.
• --. "The Difficult Years of Dziga Vertov: Excerpts from his Diaries." Quarterly Review of Film Studies 7.1 (Winter 1982): 7-21.
• --. "Dziga Vertov as Theorist." Cinema Journal 18.1 (Fall 1978): 29-44.
• ---. "Vertov, Lenin and Perestroika: The Cinematic Transposition of Reality." Historical Journal of Film, Radio and Television 15.1 (1995): 3-17.
• --. "Vertov's Cinematic Transposition of Reality." Beyond Document: Essays on Nonfiction Film. Ed. Charles Warren. Hanover, NH: Wesleyan UP, 1996.
• Roberts, Graham. Forward Soviet!: History and Non-Fictuion Film in the USSR. London: I.B. Tauris, 1999.
• --. The Man With the Movie Camera. KINOfiles Film Companion 2. London: I.B. Tauris, 2000.
• Rogova, V. "Fenomen D. Vertova: Shtrikhi k politicheskomu portretu." Tiani-Tolkai 2 (1994): 27-48.
• Roshal', L. Dziga Vertov. Moskva: Iskusstvo, 1982.
• --. "Stikhi kinopoeta." Kinovedcheskie zapiski 21 (1994):80-96.
• Sadoul, Georges. "Sur Vertov." Russie années vingt. Cahiers de cinema 220-221 (May--June 1970). 19-25.
• --. Dziga Vertov. Preface Jean Rouche. Paris: Éditions Champ Libre, 1971.
• Sarkisova, Oksana. "Across One Sixth of the World: Dziga Vertov, Travel Cinema, and Soviet Patriotism." In New Vertov Studies. Ed. Malcolm Turvey and Annette Michelson. October 121 (Summer 2007): 19-40.
• Schmitz, Norbert M. "Die Geburt des Films aus dem Geiste des Kommunismus." Apparatur und Rhapsodie: Zu den Filmen des Dziga Vertov. Ed. Natascha Drubek-Meyer and Jurij Murasov. Berliner Slawistische Arbeiten 8. Frankfurt: Peter Lang, 2000. 73-88.
• Spieker, Sven. "Orthopädie und Avantgarde. Dziga Vertovs Filmauge aus prothetischer Sicht." Apparatur und Rhapsodie: Zu den Filmen des Dziga Vertov. Ed. Natascha Drubek-Meyer and Jurij Murasov. Berliner Slawistische Arbeiten 8. Frankfurt: Peter Lang, 2000. 73-147-169.
• Stollery, Martin. "Kino-eye's Global Vision." Alternative Empires: European Modernist Cinemas and Cultures of Imperialism. Exeter: U of Exeter P, 2000. 100-139.
• ---. "Montage, Modernity and Ethnicity." Alternative Empires: European Modernist Cinemas and Cultures of Imperialism. Exeter: U of Exeter P, 2000. 59-99.
• Taylor, Richard. "Three Songs of Lenin." Film Propaganda: Soviet Russia and Nazi Germany. 2^nd rev. ed. London: Taurus, 1998.
• Tode, Thomas. "Ein Russe auf dem Eifelturm. Vertov in Paris." Apparatur und Rhapsodie: Zu den Filmen des Dziga Vertov. Ed. Natascha Drubek-Meyer and Jurij Murasov. Berliner Slawistische Arbeiten 8. Frankfurt: Peter Lang, 2000. 43-72.
• Tode, Thomas and Barbara Wurm, eds. Dziga Vertov: The Vertov Collection at the Austrian Film Museum. Vienna: SYNEMA, 2006.
• Tsivian, Yuri. "Dziga Vertov's Frozen Music: Cue Sheets and a Music Scenario for The Man with the Movie Camera." Griffithiana 54 (October 1995): 92-121.
• --. "Einige Überlegungen zur Struktur des Films Der Mann mit der Kamera." Apparatur und Rhapsodie: Zu den Filmen des Dziga Vertov. Ed. Natascha Drubek-Meyer and Jurij Murasov. Berliner Slawistische Arbeiten 8. Frankfurt: Peter Lang, 2000. 119-146.
• --. "Man with a Movie Camera--Lines of Resistance: Dziga Vertov and the Twenties." Masterpieces of Modernist Cinema. Ed. Ted Perry. Bloomington: Indiana UP, 2006. 85-110.
• --. "Man With a Movie Camera, Reel One: A Selective Glossary." Film Studies 2 (Spring 2000): 51-76.
• --. "Turning Objects, Toppled Pictures: Give and Take between Vertov's Films and Constructivist Art." In New Vertov Studies. Ed. Malcolm Turvey and Annette Michelson. October 121 (Summer 2007): 92-110.
• Tsivian, Yuri, ed. Lines of Resistance: Dziga Vertov and the Twenties. Sacile/Pordenone: Le Giornate del Cinema Muto, 2004.
• Turvey, Malcolm. "Vertov: Between the Organism and the Machine." In New Vertov Studies. Ed. Malcolm Turvey and Annette Michelson. October 121 (Summer 2007): 5-18.
• Vertov, Dziga. Articles, journaux, projets. Trans. Sylvanie Mossé and Andrée Robel. Paris: 10/18, 1972.
• --. "Doklad na Pervoi Vsesoiuznoi konferentsii po zvukovomu kino." Iz istorii kino 8 (1971): 178-189.
• --. Iz naslediia. vol. 1: Dramaticheskie opyty. Moskva: Eizenshtein-Tsentr, 2004.
• --. Iz naslediia. vol. 2: Stat'i i vystupleniia. Moskva: Eizenshtein-Tsentr, 2008.
• --. Kino-Eye: The Writings of Dziga Vertov. Tr. Kevin O'Brien. Ed. Annette Michelson. U of CA P, 1984.
• --. "'Kogda snimat' drug druga budete, ne snimaites' bez kinoapparatov...' Pis'mo Dzigi Vertova kinooperatoram." Kinovedcheskie zapiski 30 (1996): 193-196.
• --. "Tvorcheskaia kartochka." Kinovedcheskie zapiski 30 (1996): 1161-192.
• Vertova-Svilova, E.I. and A.L. Vinogradova, comp. Dziga Vertov v vospominaniiakh sovremennikov. Moscow: Iskusstvo, 1976.
• Zourabichvili, François. "The Eye of Montage: Dziga Vertov and Bergsonian Materialism." The Brain is the Screen: Deleuze and the Philosophy of Cinema. Ed. Gregory Flaxman. Trans. Melissa McMahon. Minneapolis: U of MN Press, 2000. 141-149.

VGIK [All-Russian Institute for Filmmaking named for Sergei Gerasimov]:

1 Sept 1919: establishment of Film Technicum
1924: reorganized into Higher State Studios
1925: renamed State Technicum for Filmmaking (GTK)
1930: renamed State Institute for Filmmaking (GIK)
1934: renamed All-Union Institute for Filmmaking (until 1991)
1986: "named for Sergei Gerasimov" added

• Miller, Jamie. "Educating the Filmmakers: The State Institute of Cinematography in the 1930s." The Slavonic and East European Review 85.3 (July 2007): 462-490.
• Troshin, Aleksandr, ed. Close-Up: Istoriko-teoreticheskii seminar vo VGIKe: Lektsii 1996-1998 gody. Moskva: VGIK, 1999.

Vladivostok International Pacific Meridian Film Festival:

• Birchenough, Tom. "Vladivostok 2007." KinoKultura 18 (October 2007).

Zakharov, Mark (1955- ):

• Gorin, Grigorii. Formula liubvi: Povesti i p'esy dlia teatra i kino. Ekaterinburg: Lad', 1994.

Zarkhi, Aleksandr (1908-1997):

• Abol'nik, O.G. "Aleksandr Zarkhi." Rezhissery sovetskogo khudozhestvennogo fil'ma. vyp. 3. Moskva: Soiuzinformkino, 1986.16-20.
• Zarkhi, Aleksandr. Moi debiuty. Moskva: Iskusstvo, 1985.

Zel'dovich, Aleksandr (1958 - ):

• Abdullaeva, Zara. "Moskva -- Moskva" in Real'noe kino. Moskva: Tri kvadrata, 2003. 237-246.

Zerkalo: Andrei Tarkovskii International Film Festival:

• Hicks, Jeremy. "Reflections of Andrei Tarkovskii: The Zerkalo Festival and Conference." KinoKultura 18 (October 2007).

Go to Russian and Soviet Cinema: Bibliography