University of Pittsburgh
Russian and Soviet Cinema: Bibliography

4.10. Russian and Soviet Filmmakers

4.10.4. Russian and Soviet Filmmakers: M-R

Mamin, Iurii (1946- ):

• Cordescu, Andrei. "Quick Takes on Yuri Mamin's Fountain from the Perspective of a Romanian." Inside Soviet Film Satire: Laughter with a Lash. Ed. Andrew Horton. NY: Cambridge UP, 1993.
• Horton, Andrew. "Carnivals Bright, Dark, and Grotesque in the Glasnost Satires of Mamin, Mutafayev, and Shakhnazarov." Inside Soviet Film Satire: Laughter with a Lash. Ed. Andrew Horton. NY: Cambridge UP, 1993.
• --. "'One Should Begin With Zero': A Discussion with satiric Filmmaker Yuri Mamin." Inside Soviet Film Satire: Laughter with a Lash. Ed. Andrew Horton. NY: Cambridge UP, 1993.

Manskii, Vitalii (1963 - ):

• Abdullaeva, Zara. "Vodoboiazn'" in Real'noe kino. Moskva: Tri kvadrata, 2003. 263-274.
• ---. "Internatsional" in Real'noe kino. Moskva: Tri kvadrata, 2003. 341-350.
• ---. "Iskusstvennye ptitsy" in Real'noe kino. Moskva: Tri kvadrata, 2003. 325-340.

Mariagin, Leonid (1937-2003):

• Demin, Viktor. Leonid Mariagin: Kollegi i druz'ia v rasskazakh rezhissera i portret samogo rezhissera uvidennyi kritikom. Mosjva: Vsesoiuznoe ob"edinenie Soiuzinformkino, 1988.
• Mariagin, Leonid. Idu na vy. Moskva: Izdatel'stvo kinostudii "Globus," 2000.
• ---. Iznanka ekrana. Moskva: Detektiv-Press, 2003.

Medvedkin, Aleksandr (1900-1989):

• Deriabin, Aleksandr, ed. "Ves' Medvedkin: filmografiia." Kinovedcheskie zapiski 49 (2000): 86-146.
• "Interview with Alexander Medvedkin." Inside the Film Factory: New Approaches to Russian and Soviet Cinema. Ed. Richard Taylor and Ian Christie. London: Routledge, 1991.
• Iurenev, Rastislav. Aleksandr Medvedkin, satirik. Moskva: Biuo propagandy sovetskogo kinoiskusstva, 1981.
• Widdis, Emma. Alexander Medvedkin. The Filmmaker's Companion 2. London: I.B. Tauris, 2005.

Men'shikov, Oleg (1960- ):

• Lemeleva, Helene. "An Interview with Oleg Menshikov." Slavic and East European Performance 25.3 (Fall 2005): 69-77.
• Muratova, Olga. "Oleg Menshikov: Daring to be Different." Slavic and East European Performance 25.3 (Fall 2005): 56-68.

Men'shov, Vladimir (1939- ):

• Gillespie, David C. "The Sounds of Music: Soundtrack and Song in Soviet Film." Slavic Review 62.3 (Fall 2003): 473-490.
• MacFadyen, David. "Moscow Does Not Believe in Tears: From Oscar to consolation prize." Studies in Russian and Soviet Cinema 1.1 (2007): 45-67.

Mezhrabpom-Rus' (1924-1928), Mezhrabpom-Fil'm (1928-1936), Rotfil'm [Rot-Front] (1936-1937)

• Bulgakova, Oksana. "Proletarskaia kinoutopiia na Maslovke, ili Eksport 'Rusi' v Berlin." Kinovedcheskie zapiski 33 (1997): 37-54.
• Bulgakowa, Oksana. "Der Fall Meshrabpom." Die ungewöhnlichen Abenteuer des Dr. Mabuse im Lande der Bolschewiki: Das Buch zum Filmreihe "Moskau--Berlin". Ed. Oksana Bulgakowa. Berlin: Freunde der Deutschen Kinematek, 1995. 185-193.
• Chochlowa, Jekaterina. "Meshrabpom. Dokumente." Die ungewöhnlichen Abenteuer des Dr. Mabuse im Lande der Bolschewiki: Das Buch zum Filmreihe "Moskau--Berlin". Ed. Oksana Bulgakowa. Berlin: Freunde der Deutschen Kinematek, 1995. 195-206.
• Iangirov, Rashid. "Neigrovoe kino 'Mezhrabpom-Rus'/'Mezhrabpomfil'm'. Materialiy k katalogu." Kinovedcheskie zapiski 33 (1997): 54-60.
• Kherroubi, Aïcha and Valérie Posener. Le Studio Mejrabpom: ou l'aventure du cinéma privé au pays des bolcheviks. Les Dossiers du musée d'Orsay 59. Paris: Réunion des Musées Nationaux, 1996.
• "Neigrovye fil'my 'Mezhrabpom-Rus'/'Mezhrabpomfil'm' (1923-1936)." Kinovedcheskie zapiski 33 (1997): 60-75.

Mikaelian, Sergei (1923):

Mikhalkov, Nikita (1945- ):

• Beumers, Birgit. Burnt By the Sun. KINOfile Film Companion 3. London: I.B. Tauris, 2000.
• ---. "The Mikhalkov brothers' view of Russia." Russian and Soviet Film Adaptations of Literature, 1900-2001: Screening the word. London: RoutledgeCurzon, 2005. 135-152.
• ---. Nikita Mikhalkov. The Filmmaker's Companion 1. London: I.B. Tauris, 2005.
• --. "Sibirskii tsiriul'nik (The Barber of Siberia)." European Cinema: An Introduction. Ed. Jill Forbes and Sarah Street. NY: Palgrave, 2000. 195-205.
• Larsen, Susan. "National Identity, Cultural Authority, and the Post-Soviet Blockbuster: Nikita Mikhalkov and Aleskei Balabanov." Slavic Review 62.3 (Fall 2003): 491-511.
• Leont'eva, T. G. "Zhestokii romans s istoriei (O tvorchestve Nikity Mikhalkova)." Otechestvennaia istoriia 6 (December 2003): 117-126.
• Lipkov, Aleksandr. Nikita Mikhalkov. Moskva: SK SSSR/Biuro propagandy sovetskogo kinoiskusstva, 1981.
• Moskvina, Tatiana. "La Grande Illusion." Russia on Reels: The Russian Idea in Post-Soviet Cinema. Ed. Birgit Beumers. London: I.B. Tauris, 1999. 91-104.
• Neuberger, Joan. "Between Public and Private: Revolution and Melodrama in Nikita Mikhalkov's Slave of Love." Imitations of Life: Two Centuries of Melodrama in Russia. Ed. Louise McReynolds and Joan Neiberger. Durham: Duke UP, 2002: 259-282.
• Norris, Stephen. "Tsarist Russia, Lubok Style: Nikita Mikhalkov's Barber of Siberia (1999) and Post-Soviet Identity." Historical Journal of Film, Radio and Television 25.1 (March 2005): 101-118.
• Razzakov, Fedor. Nikita Mikhalkov: Chuzhoi sredi svoikh. Moskva: Eksmo, 2005.
• Sandler, Anetta M., comp. Nikita Mikhalkov. Sbornik. Moskva: Iskusstvo, 1989.
• Semina, Natal'ia, idea. Svoi sredi chuzhikh, chuzhoi sredi svoikh: Komiks (K 30-letiiu fil'ma). Moskva: Izd. dom "Sibirskii tsiriul'nik, 2004.
• Suminova, T.N., comp. Nikita Mikhalkov: fil'mograficjeskii i bibliograficheskii ukazatel'. Moskva: Studiia "Trite" and Rossisskii arkhiv, 1995.
• Valentino, Russell Scott. "Adapting the landscape: Oblomov's vision of film." Russian and Soviet Film Adaptations of Literature, 1900-2001: Screening the word. London: RoutledgeCurzon, 2005. 153-163.
• Youngblood, Denise. "The Cosmopolitan and the Patriot: The Brothers Mikhalkov-Konchalovsky and Russian Cinema." Historical Journal of Film, Radio and Television 23.1 (March 2003): 27-41.

Mitta, Aleksandr (1933- ):

• Kagarlitskaia, Anna. Aleksandr Mitta: Tvorcheskii portret. Moskva: Vsesoiuznoe ob"edinenie Soiuzinformkino, 1988.
• Mitta, Aleksandr. Kino mezhdu adom i raem. Moskva: Podkova, 1999; Moskva: Zebra, 2005.

Mordiukova, Nonna (1925- ):

• Mordiukova, Nonna. Ne plach', kazachka!. Moskva: Olimp, 1998.

Moscow International Film Festival:

• Khokhriakova, Svetlana. "Starless, Prize-less: The Moscow International Film Festival 2006." Trans. Birgit Beumers. KinoKultura 14 (October 2006).
• Larsen, Susan. "At the Intersection of Art, Commerce, and National Pride" (Moscow International Film Festival 2004). KinoKultura 6 (October 2004).
• Padunov, Vladimir. "Moscow's Silver Anniversary: XXV Moscow International Film Festival (20-29 June 2003)." KinoKultura 1 (July 2003).
• Tasbulatova, Diliara. "Study, Study, Study: The Grand Prize of the 27th Moscow International Film Festival Went to Aleksei Uchitel''s Dreaming of Space." Trans. Vladimir Padunov. KinoKultura 10 (October 2005).

Mosfilm [Studio]: Mosfilm

1924: First and Third Film Factory of Goskino
1926: united into Moscow Film Factory
1930: Soiuzkino
1932: Rosfil'm
1933: Soiuzfil'm
1934: Moskinokombinat
1935: Mosfil'm Factory
Jan 1936: Mosfil'm

• Mosfilm. Moscow: Sovexportfilm, n.d.
• Turovskaia, Maia. "Mosfil'm--1937." Sovetskoe bogatstvo: Stat'i o kul'ture, literature i kino. Ed. Marina Balina, Evgenii Dobrenko, and Iurii Murashov. St. Petersburg: Akademicheskii proekt, 2002. 277-294.
• Ushakova, N. "Muzei kinostudii 'Mosfil'm'." Iz istorii kino 2 (1959): 156-160.

Motyl', Vladimir (1927- ):

• Anon. "30 Years Under the White Sun." Russian Life (April/May 1999): 17-23, 64.
• Ezhov, Valentin. Beloe solntse pustyni. Ekaterinburg: Lad', 1994. 69-112.
• Gillespie, David C. "The Sounds of Music: Soundtrack and Song in Soviet Film." Slavic Review 62.3 (Fall 2003): 473-490.
• Zorkaia, Neia. "Beloe solntse pustyni--reiting zritelei." Krutitsia, vertitsia shat goluboi: Desiat' shedevrov sovetskogo kino. Moskva: Znanie, 1998. 173-184.

Mozzhukhin, Ivan (1889-1939):

• Nusinova, Nina. "'Koster pylaiushchii' Ivana Mozzhukhina: Vybor tvorcheskogo puti kak poisk novoi rodiny." Kinovedcheskie zapiski 3 (1989): 68-85.
• Sirotin, Oleg. "Rodina i rodnye Ivana Mozzhukhina." Kinovedcheskie zapiski 77 (2006): 217-237.

Muratova, Kira (1934- ):

• Abdullaeva, Zara. "Chuvstvitel'naia Muratova" in Real'noe kino. Moskva: Tri Kvadrata, 2003. 353-385.
• Arkhangel'skii, Aleksandr. "Tema i rema." Iskusstvo kino 6 (1997): 18-26.
• Aronson, Oleg. "Ekstsentrika priema i materiala: O fil'makh Kiry Muratovoi." Metakino. Moskva: Ad Marginem, 2003. 205-217.
• Berry, Ellen. "Grief and Simulation in Kira's Muratova's The Aesthenic Syndrome." The Russian Review (July 1998): 446-54.
• Bulgakowa, Oksana. "Der 'provinzelle' Film der Kira Muratowa." Sowjetischer Film Heute. Hrsg. Sabina Brändli und Walter Ruggle. Zürich: Verlag Lars Müller, 1990. 99-114.
• Fomin, Valerii. "Kak iz Kiry Muratovoi Ivana Sidorova sdelali" (part two of "Kino Ukrainy: Chetyresta udara"). Kinoforum 2 (2002): 31-9.
• Gersova, L.S. "Kira Muratova." Rezhissery sovetskogo khudozhestvennogo fil'ma. vyp. 3. Moskva: Soiuzinformkino, 1986. 26-30.
• Gromov, Evgenii, ed. Kira Muratova--98: masterskaia kinovedov Evgeniia Gromova. Moskva: VGIK, 1999.
• Gusiatinskii, Evgenii. "Mo(nu)mental'nye snimki." Kinoforum 4 (2002): 63-68. Translated as "Monumental or Momentary." Kinoforum Special Issue (2002): 61-66.
• Izvolova, Irina. "Zvuk lopnuvshei struny." Iskusstvo kino 8 (1998): 110-119.
• Kudriavtsev, Sergei. "...Tianetsia muzyki svetlaia nit'." Kinoforum 4 (2002): 58-62. Translated as "...A Bright Music Thread" in Kinoforum Special Issue (2002): 56-60.
• Larsen, Susan. "Figuring Gender and Ethnicity in Kira Muratova's A Change of Fate." Soviet Hieroglyphics: Visual Culture in Late Twentieth-century Russia. Ed. Nancy Condee. London/Bloomington: BFI/Indiana UP, 1995.
• Plakhov, Andrei. "Kira Muratova." Vsego 33: Zvezdy mirovoi kinorezhissury. Vinnitsa: Akvilon, 1999: 201-212.
• Roberts, Graham. "The Meaning of Death: Kira Muratova's Cinema of the Absurd." Russia on Reels: The Russian Idea in Post-Soviet Cinema. Ed. Birgit Beumers. London: I.B. Tauris, 1999. 144-160.
• Rubanova, Irina, et al. "Razbory." Iskusstvo kino 9 (1997): 90-107.
• Tarakhanova, E. S. "Vospitannoe smiatenie chuvstvitel'noi Kiry Muratovoi." Kinovedcheskie zapiski. 27 (1995): 51-69.
• Taubman, Jane. Asthenic Syndrome. Cinetek Series. Wiltshire: Flicks Books, 2000.
• --. "The Cinema of Kira Muratova." The Russian Review 52 (July 1993): 367-81.
• ---. Kira Muratova. The Filmmaker's Companion 4. London: I.B. Tauris, 2005.
• Tippner, Anja. "Selbstjustiz als Ausdruck von Gewalt im russischen Film der neunziger Jahre: A. Balabanovs Brat 1 + 2 und K. Muratovas Tri istorii. Der Welt der Slaven 48, 2003: 321-334.
• Widdis, Emma. "Muratova's Clothes, Muratova's Textures, Muratova's Skin." KinoKultura 8 (April 2005).
• Zvonkine, Eugénie. "The Structure of the Fairy Tale in Kira Muratova's The Sentimental Policeman." Studies in Russian and Soviet Cinema 1.2 (2007): 131-145.

Naumov, Vladimir/Alov, Aleksandr:

See entry for Alov, Aleksandr

Necrorealism:

• Alaniz, José and Seth Graham. "Early Necrocinema in Context." necrorealism: Contexts, History, Interpretations. Ed. Seth Graham. Pittsburgh: Russian Film Symposium, 2001. 5-27.
• Aleinikov, Gleb. "Blesk i nishcheta industrii parallel'nykh grez." Iskusstvo kino 6 (1989): 118-133.
• Aleinikov, Igor. Redfish in America Exhibition Catalogue. Cambridge, MA: The Arts, 1990.
• Andreeva, Ekaterina. "Po tu storonu necrorealiizma." Seans 12 (1996): 105-108.
• Berry, Ellen E. and Anessa Miller-Pogacar. "A Shock Thearpy for the Social Consciousness: The Nature and Cultural Function of Russian Necrorealism." Cultural Critique (Fall 1996): 185-203.
• Campbell, Thomas H. "The Bioaesthetics of Evgenii Iufit." KinoKultura 11 (January 2006).
• Christie, Ian. "Returning to Zero." Sight and Sound 8.4 (April 1998): 14-17.
• Demichev, Andrei. "The Autumn of Necrorealism." necrorealism: Contexts, History, Interpretations. Ed. Seth Graham. Pittsburgh: Russian Film Symposium, 2001. 60-61.
• --. "Face to Face with Necro." Re-Entering the Sign: Articulating New Russian Culture. Ed. Ellen E. Berry and Anessa Pogacar. Ann Arbor: U of Michigan P, 1995. 4-6.
• Dobrotvorskii, Sergei. "The Most Avant-Garde of all Parallel Ones: The Times and Ways of the Soviet Independents." Russian Critics on the Cinema of Glasnost'. Ed. Michael Brashinsky and Andrew Horton. Cambridge: Cambridge UP, 1994. 40-45.
• Graham, Seth, ed. necrorealism: Contexts, History, Interpretations. Pittsburgh: Russian Film Symposium, 2001.
• Iampolsky, Mikhail. "Death in Cinema." Re-Entering the Sign: Articulating New Russian Culture. Ed. Ellen E. Berry and Anessa Miller-Pogacar. Ann Arbor: U of Michigan P, 1995. 270-288.
• Mazin, Viktor. Excerpts from Cabinet of Necrorealism: Iufit and. necrorealism: Contexts, History, and Interpretations. Ed Seth Graham. Pittsburgh: Russian Film Symposium, 2001. 28-52.
• --. Kabinet nekrorealizma: Iufit i.... Kabinet BE. Saint Petersburg: INAPress, 1998.
• --. "Knights of the Heavens in the representation of death." Trans. Thomas Campbell. Proceedings of the 15th International Conference on Literature and Psychoanalysis. 105-114.
• Mikhel'son, P. and Evgenii Iufit. "Nekroestetika, interv'iu." Iskusstvo kino 6 (1989): 134-135.
• Turkina, Olesia and Viktor Mazin. "Para-Necro-Blockbuster, or Evgenii Iufit and Vladimir Maslov's Silever Heads". necrorealism: Contexts, History, Interpretations. Ed. Seth Graham. Pittsburgh: Russian Film Symposium, 2001. 53-59.

Norshtein, Iurii (1941- ):

• Kitson, Clare. Yuri Norstein and Tale of Tales: An Animator's Journey. Bloomington: Indiana UP, 2005.
• Norshtein, Iurii. Sneg na trave: Glavy iz knigi. Moskva: VGIK i Iskusstvo kino, 2005.
• Norshtein, Iurii i Francheska Iarbusova. Skazka skazok. Moskva: Krasnaia ploshchad', 2005.

Nugmanov, Rashid (1954- ):

• Drozdova, Marina. "A Dandy of the Post-punk Era, or 'Goodbye, America, oh...'." Russian Critics on the Cinema of Glasnost. Ed. Michael Brashinsky and Andrew Horton. NY: Cambridge UP, 1994.

Odessa Film Studio:

1919: pre-revolutionary studios merged into the Film Section of the Political Department of the 41st Red Army Division
1920: Odessa Section of the All-Ukraine Kino Factory
1922: reorganized into the Odessa Film Factory of VUFKU (All-Ukraine Photo-Film Directorate)
1929: Odessa Film Factory of Ukrainfil'm
1938: Odessa Film Studio

• Iungval'd-Khil'kevich, Natalia, ed. Odesskaia al'ternativa. Odessa: Maik, 1988.

Ogorodnikov, Valerii (1951- ):

• Vorauer, Markus and Mikhael' Aikhmaier. eds. Fil'my Valeriia Ogorodnikova. Saint Petersburg: DarFilm, 2004.

Okudzhava, Bulat (1924-1997):

• Okudzhava, Bulat. Kapli Datskogo korolia: kinostsenarii, pesni dlia kino. Moskva: Kinotsentr, 1991.

Okunevskaia, Tat'iana (1914- ):

• Okunevskaia, Tat'iana. Tatianin Den'. Moi 20 vek. Moskva: Vagrius, 1998.

Orlova, Liubov (1902-1975):

• Bulgakowa, Oksana. "Sovetskie krasavitsy v stalinskom kino." Sovetskoe bogatstvo: Stat'i o kul'ture, literature i kino. Ed. Marina Balina, Evgenii Dobrenko, and Iurii Murashov. St. Peterburg: Akademicheskii proekt, 2002. 391-411.
• Frolov, Ivan. Liubov' Orlova: v grime i bez grima. Mir kino. Moskva: Panorama, 1997.
• Romanov, A. Liubov' Orlova. Moskva: Iskusstvo, 1987.
• Saakov, Iurii. Liubov' Orlova: Sto bylei i sto nebylits. Moskva: Algoritm, 2002.
• Shcheglov, Dmitrii. Liubov' Orlova. Moskva: Olimp, 1998.
• Zorkaia, Neia. "Tsirk i sverkaiushchie geroini Liubovi Orlovoi." Krutitsia, vertitsia shat goluboi: Desiat' shedevrov sovetskogo kino. Moskva: Znanie, 1998. 109-130.

Ovcharov, Sergei (1955- ):

• Avrutina, Lily. "Find the Magic Word." Re-Entering the Sign: Articulating New Russian Culture. Ed. Ellen E. Berry and Aness Miller-Pogacar. Ann Arbor: U of Michigan P, 1995.
• Graham, Seth. "Metaphorical Function of the Silent Film Body in Sergei Ovcharov's Barabaniada." Studies in Slavic Cultures 3 (2002): 73-83.

Ozerov, Iurii (1921-2001):

• Palatnikova, Ol'ga, comp. Iurii Ozerov v vospominaniakh sovremennikov. Moskva: "El'f-IPR," 2005.

Panfilov, Gleb (1934- ):

• Dobrenko, Evgenii. "Tri materi." Iskusstvo kino 8 (2000): 96-111.
• Fomin, Valerii. Peresechenie parallel'nykh: Lotianu, Il'enko, Ioseliani, Mansurov, Okeev, Panfilov, Shukshin. Moskva: Iskusstvo, 1976.
• "Mat' Panfilova: Opyt kollektivnoi interpretatsii." Kinovedcheskie zapiski. 28 (1991): 55-79.

Paradjanov, Sergei (1924-1990):

• Abrahamian, Levon Hm. "Towards a Poetics of Parajanov's Cinema." Armenian Review 47.3-4/48.1-2 (2001-2002): 67-91.
• Alekseichuk, Leonid. "A Warrior in the Field." Sight & Sound 60.1 (1990/1991): 22-26.
• Allahverdian, Haig. "The Color of Genius: Parajanov's Masterpiece." Ararat 23.1 (Winter 1982): 39-43.
• Amengual, Barthelemy. "Sur deux neveux d'Eisnestein." Études Littéraires 20.3 (Winter 1987-1988): 123-136.
• Anninskii, Lev. "Tri zvena." Iskusstvo kino 9 (1971): 134-152.
• Cazals, Patrick. Sergei Paradjanov. Paris: Cahiers du cinema (Collection "Auteurs"), 1993.
• Cook, David. "Shadows of Forgotten Ancestors: Film as Religious Art." Post Script 3.3 (1984): 16-23.
• Grigorian, Levon. Tri tsveta odnoi strasti: triptikh Sergeia Paradzhanova. Moskva: SK SSSR/Kinotsentr, 1991.
• Gvakharia, Geiorgi. "Sergei Parajanov's Ecumenical Vision." Armenian Review 47.3-4/48.1-2 (2001-2002): 93-104.
• Hamalian, Leo and James V. Hatch. "The Shadow of Parajanov." Ararat 23.1 (Winter 1982): 45-50.
• Kalantar, Karen. Ocherki o Paradzhanove. Erevan: "Gitutiun" NAN RA, 1998.
• Katanian, Vasilii. Paradzhanov: Tsena vechnogo prazdnika. Nizhnii Novgorod: Dekom, 2001.
• Nebesio, Bohdan. "Shadows of Forgotten Ancestors: Storytelling in the Novel and the Film." Literature-Film-Quarterly 22.1 (1994): 42-49.
• Papazian, Elizabeth A. "Ethnography, Fairytale, and 'Perpetual Motion' in Sergei Paradjanov's Ashik-Kerib." Literature/Film Quarterly 34.4 (2006): 303-312.
• Paradjanov, Sergei. Seven Visions. Trans. Guy Bennett. Copenhagen and Los Angeles: Green Integer, 1998.
• Paradzhanov, Sergei. "Iz naslediia.--Vystuplenie na s"ezde komsomola Belorussii." Kinovedcheskie zapiski 23 (1994): 76-90.
• Payne, R. "The Storm of the eye: culture, spectacle, Paradzhanov." Spectator 10.1 (1989): 32-45.
• Picchi, Michele. Sergej Paradzanov. Milan: Il Castoro, 1994.
• Porfirova, I. "Fol'klor v fil'makh Paradzhanova." Tiani-Tolkai 1 (1993): 62-84.
• Scarcia, Gianroberto, ed. Asik-Kerib. Euresiatica 28. Venezia: Universitetà degli Studi di Venezia, Dipartamento di Studi Eurasiatici, 1991.
• Stanbrook, Alan. "The Return of Paradjanov." Sight and Sound 55.4 (Autumn 1986): 257-261.
• Steffen, James. "From Sayat Nova to The Color of Pomegranates: notes on the production and censorship of Parajanov's film." Armenian Review 47.3-4/48.1-2 (2001-2002): 105-147.
• ---. "From Sayat Nova to The Color of Pomegranates: notes ont he production and censorship of Parajanov's film. Appendix: selected documents from the Goskino production and censorship files on The Color of Pomegranates." Armenian Review 47.3-4/48.1-2 (2001-2002): 149-185.
• ---. "Parajanov's Playful Poetics: On the 'Director's Cut' of The Color of Pomegranates." Journal of Film and Video 47.4 (Winter 1995-96): 17-32.
• Steffen, James, ed. Sergei Parajanov. Special edition of Armenian Review 47.3-4/48.1-2 (2001-2002).
• Suderberg, E. "Biographical states: the films of Sergei Parajanov." Afterimage (September 1992): 8-11.
• Tsereteli, Kora, ed. Sergei Paradzhanov: Kollazh na fone avtoportreta. Nizhnii Novgorod: DEKOM, 2005.
• Vardanov, Mikhail. "Les Cimes du monde: Entretien avec Serguei Paradjanov." Cahiers du cinéma 381 (March 1986): 43-47.
• Williamson, Anne. "Prisoner: The Essential Paradjanov." Film Comment 25.3 (May-June 1989): 57-63.

Pentslin, Eduard (1903- ):

• Murashov, Iurii. "Slepye geroi--slepye zriteli: O statuse zreniia i slova v sovetskom kino." Sovetskoe bogatstvo: Stat'i o kul'ture, literature i kino. Ed. Marina Balina, Evgenii Dobrenko, and Iurii Murashov. St. Peterburg: Akademicheskii proekt, 2002. 412-426.

Perestiani, Ivan (1870-1959):

• Maksimov, A.V. "Neulovimye d'iavoliata." Kinovedcheskie zapiski 21 (1994): 57-80.

Pichul, Vasilii (1961- ):

• Abdullaeva, Zara. "Vne zakona" in Real'noe kino. Moskva: Tri kvadrata, 2003. 215-224.
• ---. "'Eto ne Chekhov!'" in Real'noe kino. Moskva: Tri Kvadrata, 2003. 225-236.
• ---. "Zhdanov--Moskva--Sochi" in Real'noe kino. Moskva: Tri kvadrata, 2003. 205-24.
• Beardow, Frank. Little Vera. KINOfile Film Companion 8. London: I.B. Tauris, 2003.
• Eagle, Herbert. "The Indexicality of Little Vera and the End of Socialist Realism." Contemporary SovietCinema. Ed. Vance Kepley, Jr. WideAngle 12.4 (October 1990): 26-37.
• Horton, Andrew. "Little Vera." Film Quarterly 13.4 (Summer, 1989): 18-21.
• Khmelik, Maria. Little Vera. Trans Cathy Porter. London: Bloomsbury, 1990.
• Moskvina, Tatyana. "Forward, Singing." Russian Critics on the Cinema of Glasnost. Ed. Michael Brashinsky and Andrew Horton. NY: Cambridge UP, 1994.
• Plakhov, Andrei. "Soviet Cinema in the 90s." Sight & Sound 58.2 (Spring 1989): 82-3.
• Williamson, Anne. "Rubles of the Game." Film Comment January-February, 1989: 23-26.

Podnieks, Juris (1950-1992):

• Anninsky, Lev. "Is It Easy to be Grown Up?" Russian Critics on the Cinema of Glasnost. Ed. Michael Brashinsky and Andrew Horton. NY: Cambridge UP, 1994.
• Kiselev, Alexander. "Deafening Voids." Russian Critics on the Cinema of Glasnost. Ed. Michael Brashinsky and Andrew Horton. NY: Cambridge UP, 1994.

Pronin, Vasilii (1905-1966):

• Hutchings, Stephen. "Ada/opting the Son: war and the authentication of power in Soviet screen versions of children's literature." Russian and Soviet Film Adaptations of Literature, 1900-2001: Screening the word. London: RoutledgeCurzon, 2005. 59-72.

Proshkin, Aleksandr (1940- ):

• Serikinskii, S. S. "Chetyre 'Kapitanskie dochki'." Otechestvennaia istoriia 6 (December 2003): 108-117.
• Trofimenkov, Mikhail. "Birds of Passage." Russian Critics on the Cinema of Glasnost. Ed. Michael Brashinsky and Andrew Horton. NY: Cambridge UP, 1994.

Protazanov, Iakov (1881-1945):

• Aleinikov, M.N., ed. Iakov Protazanov: O tvorcheskom puti rezhissera. Moskva: Iskusstvo, 1957.
• Arlazorov, Mikhail. Protazanov. Moskva: Iskusstvo, 1973.
• Christie, Ian. "Down to Earth: Aelita Relocated." Inside the Film Factory: New Approaches to Russian and Soviet Cinema. Ed. Richard Taylor and Ian Christie. London: Routledge, 1991.
• --. "Iakov Protazanov: A Timely Case for Treatment." KinoKultura 9 (July 2005).
• Christie, Ian and Julian Graffy, eds. Yakov Protazanov and the Continuity of Russian Cinema. Dossier 8. London: BFI/NFT, 1993.
• Huber, Katja. Aelita als morgen gestern heite war: Die Zukunftsmodellierung in Jakov Protazanovs Film. Munich: Verlag Otto Sagner, 1998.
• Kushnirov, M. Iakov Protazanov. Riga: SK Latvii, 1971.
• Sandler, Stephanie. "Seeing and Knowing in Protazanov's Film The Queen of Spades." World, Music, History: A Festschrift for Caryl Emerson. Ed. Lazar Fleishman, Gabriella Safran, and Michael Wachtel. Stanford: Stanford UP, 2005. 279-290.
• Vishevsky, Anatoly. "'The Queen of Spades' Revisited, and Revisited, and Revisited..." Russian Literature on the Silver Screen. Russian Studies in Literature 40.2 (Spring 2004): 20-33.
• Youngblood, Denise. "Iakov Protazanov, the 'Russian Griffith'." Movies for the Masses: Popular Cinema and Soviet Society in the 1920s. By Denise Youngblood. NY: Cambridge UP, 1992.
• --. "The Return of the Native: Yakov Protazanov and Soviet Cinema." Inside the Film Factory: New Approaches to Russian and Soviet Cinema. Ed. Richard Taylor and Ian Christie. London: Routledge, 1991.
• --. "'We Don't Know What to Laugh At': Comedy and Satire in Soviet Cinema (from The Miracle Worker to St. Jorgen's Feast Day)." Inside Soviet Film Satire: Laughter With a Lash. Ed. Andrew Horton. NY: Cambridge UP, 1993.
• Zorkaia, Neia. "Iakov Protazanov i sovetskoe kinoiskusstvo 20-kh godov." Voprosy kinoiskusstva 6 (1962): 165-91.

Pudovkin, Vsevolod (1893-1953):

• Aronson, Oleg. "Zvuk i vremia: Prostoi sluchai Vsevoloda Pudovkina." Metakino. Moskva: Ad Marginem, 2003. 63-74.
• Burns, Paul. "Linkage: Pudovkin's Classics Revisited." Journal of Popular Film and Television 9.2 (1981): 70-77.
• Dart, Peter. Pudovkin's Films and Film Theory. NY: Arno P, 1974.
• Dobrenko, Evgenii. "Tri materi." Iskusstvo kino 8 (2000): 96-111.
• Gillespie, David. "Vsevolod Pudovkin: Conflict and Struggle As Film Art." Early Soviet Cinema: Innovation, Ideology and Propaganda. By David Gillespie. London: Wallflower Pub., 2000. 59-70.
• Karaganov, A. Vsevolod Pudovkin. Moskva: Iskusstvo, 1983.
• Kepley, Vance, Jr. The End of St. Petersburg. KINOfiles Film Companion 10. London: I.B. Tauris, 2003.
• ---. "Pudovkin and the Classical Hollywood Tradition." WideAngle 7.3 (Fall 1985): 53-61.
• --. "Pudovkin and the Continuity Style: Problems of Space and Narration." Discourse 17.3 (Spring 1995): 85-100.
• --. "Pudovkin, Socialist Realism and the Classical Hollywood Style." Journal of Film and Video 47.4 (1995-6): 3-6.
• Marshall, Herbert. Masters of the Soviet Cinema: Crippled Creative Biographies. London: Routledge and Kegan Paul, 1983.
• Mayne, Judith. "Mother and Son." Kino and the Woman Question: Feminism and Soviet Silent Cinema By Judith Mayne. Columbus: Ohio State UP, 1989. 91-109.
• Mini, Panayiota. "Pudovkin's Cinema of the 1920s." Diss. U of Wisconsin-Madison, 2002.
• Petric, Vlada. "Vsevolod Pudovkin." Cinema: A Critical Dictionary. Ed. Richard Roud. Vol. 2. NY: Viking P, 1980: 800-807
• Pudovkin, Vsevolod. "Dve stat'i." Iz istorii kino 8 (1971): 168-177.
• --. Film Technique and Film Acting. Tr. Ivor Montagu. NY: Grove Press: 1949.
• --. "Mother: a film by Pudovkin." Two Russian Film Classics. Classic Film Scripts. NY: Simon and Schuster, 1973. 5-54.
• --. Sobranie sochinenii. 3 vol. Moskva: Iskusstvo, 1966-69.
• Sargeant, Amy. Vsevolod Pudovkin: Classic films of the Soviet avant-garde. KINO, the Russian cinema series. London: I.B. Tauris, 2000.
• Smith, Murray. "The Influence of Socialist Realism on Soviet Montage: The End of St. Petersburg, Fragment of an Empire, and Arsenal." Journal of Ukrainian Studies 19.1 (1994): 45-65.
• Sorlin, Pierre. "The Russian Revolution." The Film in History: Restaging the Past. NY: Oxford UP, 1980. 159-188.
• Zapasnik, T.E. and A.Ia. Petrovich, eds. Pudovkin v vospominaniakh sovremennikov. Moskva: Iskusstvo, 1989.

Pyr'ev, Ivan (1901-1968):

• "100-letie so dnia rozhdeniia I.A. Pyr'eva: Kubanskie kazaki: Materialy o fil'me." Kinograf 11 (2002): 6-106.
• Mar'iamov, G.B. Ivan Pyr'ev v zhizni i na ekrane. Moskva: Kinotsentr, 1994.
• Pyr'ev, Ivan. Izbrannye proizvedeniia v dvukh tomakh. Moskva: Iskusstvo, 1979.
• --. O proidennom i perezhitom... Moskva: SK SSSR/Biuro propagandy sovetskogo kinoiskusstva, 1979.
• Taylor, Richard. "But eastward, look, the land is brighter: towards a topographyy of utopia in the Stalinist musical." 100 Years of European cinema: Entertainment or ideology? Ed. Diana Holmes and Alison Smith. Manchester: Manchester UP, 2000. 11-26.
• ---. "K topografii utopii v stalinskom miuzikle." Sovetskoe bogatstvo: Stat'i o kul'ture, literature i kino. Ed. Marina Balina, Evgenii Dobrenko, and Iurii Murashov. St. Peterburg: Akademicheskii proekt, 2002. 358-370.
• ---. "Singing on the Steppes for Stalin: Ivan Pyr'ev and the Kolkhoz Musical in Soviet Cinema." Slavic Review 58.1 (Spring 1999): 143-159.
• Turovskaia, Maia. "I. A. Pyr'ev i ego muzykal'nye komedii." Kinovedcheskie zapiski. 1 (1988): 111-146.

Razumnyi, Aleksandr (1891-1972):

• Hutchings, Stephen. "Ada/opting the Son: war and authentication of power in Soviet screen versions of children's literature." Russian and Soviet Film Adaptations of Literature, 1900-2001: Screening the word. London: RoutledgeCurzon, 2005. 59-72.

Razykov, Iusup (1957 - ):

• Graham, Seth. "Iusup Razykov and Contemporary Uzbek Cinema." KinoKultura 11 (January 2006).

Reznikov, P.

• Serikinskii, S. S. "Chetyre 'Kapitanskie dochki'." Otechestvennaia istoriia 6 (December 2003): 108-117.

Riazanov, El'dar (1927- ):

• Dobrenko, Evgeny. "Soviet Comedy Film: or, the Carnival of Authority." Trans. Jesse M. Savage. Discourse 17.3 (Spring 1995): 49-57.
• MacFadyen, David. The Sad Comedy of El'dar Riazanov: An Introduction to Russia's Most Popular Filmmaker. Montreal and London: McGill-Queen's UP, 2003.
• Prokhorov, Alexander. "Cinema of Attractions versus Narrative Cinema: Leonid Gaidai's Comedies and El'dar Riazanov's Satires of the 1960s." Slavic Review 62.3 (Fall 2003): 455-472.
• Riazanov, El'dar. El'dar--TV, ili Moia portretnaia galereia. Moskva: Vagrius, 2003.
• --. Ne podvedennye itogi. Moskva: Vagrius, 1995.
• Slobin, Greta. "A Forgotten Flute and remembered Popular Tradition." Inside Soviet Film Satire: Laughter with a Lash. Ed. Andrew Horton. NY: Cambridge UP, 1993.
• Timofeevsky, Alexander. "Scherzo--suite--nocturne." Russian Critics on the Cinema of Glasnost. Ed. Michael Brashinsky and Andrew Horton. NY: Cambridge UP, 1994.
• Volobuev, O. V. "Posle XX s"ezda: Karnaval'naia noch'." Otechestvennaia istoriia 6 (December 2003): 68-70.

Rogozhkin, Aleksandr (1949- ):

• Bykov, Dmitrii. "Identifikatsiia Rogozhkina, ili Ad absurdum." Iskusstvo kino 5 (1999): 63-69.

Romm, Mikhail (1901-1971):

• Gabrilovich, Evgenii and Sergei Iutkevich. "Adventures and Encounters of a Scenarist." Ed. Luda & Jean Schitzerand Marcel Martin. Cinema in Revolution. NY: Hill & Wang, 1973.
• --. Kinotrilogiia o Lenine. Moskva: Progress, 1985.
• Germanova I. and N. Kuz'mina, eds. Moi rezhisser Romm. Sbornik. Moskva: Iskusstvo, 1993.
• Romm, Mikhail. Besedy o kino. Moskva: Iskusstvo, 1964.
• --. Kak v kino. Nizhnii Novgorod: DEKOM, 2003.
• --. "The Second generation." Trans. David Robinson. Ed. Luda & Jean Schitzer and Marcel Martin. Cinema in Revolution. NY: Hill & Wang, 1973.
• --. Ustnye rasskazy. Moskva: SK SSSR/Kinotsentr, 1989.
• Sesonske, Alexander. "Re-Editing History: Lenin in October, Then and Now." Sight and Sound 53.1 (Winter 1983): 56-58.
• Turovskaia, Maia. "Mosfil'm--1937." Sovetskoe bogatstvo: Stat'i o kul'ture, literature i kino. Ed. Marina Balina, Evgenii Dobrenko, and Iurii Murashov. St. Petersburg: Akademicheskii proekt, 2002. 277-294.
• Zak, Mark. Mikhail Romm i ego fil'my. Moskva: Iskusstvo, 1988.
• --. Mikhail Romm i traditsii sovetskoi kinorezhissury. Moskva: Iskusstvo, 1974.

Room, Abram (1894-1976):

• Burns, P.E. "A NEP Moscow Address: Abram Room's Third Meshchanskaia (Bed and Sofa) in historical context." Film and History 12.4 (1982): 73-81.
• Graffy, Julin. "Bed and Sofa: The Film Companion." KINOfile Film Companion 5. London: I.B. Tauris, 2001.
• Grashchenkova, I. Abram Room. Moskva, 1977.
• Hill, Stephen. "Bed and Sofa (Tretia Meshchanskaia)." Film Heritage 7.1 (1971): 17-20.
• "K 100-letiiu Abrama Rooma: Kruglyi stol v Muzee Kino." Kinovedcheskie zapiski. 24 (1994/5): 163-182.
• Korotkii, V. "Tret'ia Meshchanskaia Abrama Rooma: nekotorye nachala analiza fil'ma. Stat'ia 1." Tiani-Tolkai 1 (1993): 33-61.
• Mayne, Judith. "Bed and Sofa and the Edge of Domesticity." Kino and the Woman Question: Feminism and Soviet Silent Cinema By Judith Mayne. Columbus: Ohio State UP, 1989. 110-129.
• Sullivan, B. "Bed and Sofa / Master of the House." Women and Film 1 (1972): 21-25.
• Youngblood, Denise. "The Fiction Film as a Source for Soviet Social History: The Third Meshchanskaia Street Affair." Film and History 19.3 (1989): 50-60.
• Zabrodin, Vladimir, ed. Abram Matveevich Room: materialy k retrospektive fil'mov. Moskva: Muzei kino, 1994.
• Zorkaia, Neia. "Brak vtroem -- sovetskaia versiia." Iskusstvo kino 5 (1997): 89-97.
• --. "Gendernye problemy v sovetskom kino 30-kh godov. "Liubovnyi treugol;nik" kak kul'turogicheskaia i sotsiologicheskaia problema (Kommentarii i Tret'ei Meshchanskoi A. Rooma)." Close-Up: Istoriko-teoreticheskii seminar vo VGIKe: Lektsii 1996-1998 gody. Ed. Aleksandr Troshin. Moskva: VGIK, 1999. 210-218.
• --. "Skandal'naia Tret'ia Meshchanskaia." Krutitsia, vertitsia shat goluboi: Desiat' shedevrov sovetskogo kino. Moskva: Znanie, 1998. 49-64.

Roshal', Grigorii (1898-1983)

• Rozen, Solomon. Grigorii Roshal'. Moskva: Iskusstvo, 1965.

Rostotskii, Stanislav (1922-2001)

Go to Russian and Soviet Cinema: Bibliography