University of Pittsburgh
Russian and Soviet Cinema: Bibliography

4.10. Russian and Soviet Filmmakers

4.10.2. Russian and Soviet Filmmakers: E-G

Eisenstein, Sergei (1898-1948):

• Aksenov, Ivan. Sergei Eizenshtein: portret khudozhnika. Moskva: SK SSSR/Kinotsentr, 1991.
• Albera, François. "Eisenstein and the Theory of the Photogram." Eisenstein Rediscovered. Ed. Ian Christie and Richard Taylor. London: Routeldge, 1993.
• --. Eisenstein et le constructivisme russe: dramaturgie de la forme. Lausanne: L'Age d'homme, 1990.
• Alexandrov, Grigorii. "Working with Eisenstein." Trans. David Robinson. Ed. Luda & Jean Schitzer and Marcel Martin. Cinema in Revolution. NY: Hill & Wang, 1973.
• Aumont, Jacques. Montage Eisenstein. Tr. Lee Hildreth, Constance Penley, Andrew Ross. Bloomington: Indiana UP, 1987.
• Balter, L. "Alexander Nevsky." Film Culture 70-71 (1983): 43-87.
• Barna, Yon. Eisenstein. Boston: Little Brown & Co., 1975.
• Barratt, Andrew. "In the Name of the Father: The Eisenstein Connection in Films by Tarkovsky and Askoldov." Eisenstein at 100: A Reconsideration. Ed. Al LaValley and Barry P. Scherr. New Brunswick: Rutgers UP, 2001. 148-160.
• Bartlett, Rosamund. "The Circle and the Line: Eisenstein, Florensky, and Russian Orthodoxy." Eisenstein at 100: A Reconsideration. Ed. Al LaValley and Barry P. Scherr. New Brunswick: Rutgers UP, 2001. 65-76.
• Bergan, Ronald. Sergei Eisenstein: A Life in Conflict. Woodstock, NY: The Overlook P, 1999.
• Beumers, Birgit. "Bronenosets Potyomkin (The Battleship Potemkin)." European Cinema: An Introduction. Ed. Jill Forbes and Sarah Street. NY: Palgrave, 2000. 53-65.
• Bohn, Anna. Film und Macht: Zur Kunsttheorie Sergei Eisensteins, 1930-1948. Diskurs Film 16. Munich: diskurs film Verlag Schaudig und Ledig, 2003.
• Bordwell, David. "Eisenstein, Socialist Realism and the Charms of Mizanstsena." Eisenstein at 100: A Reconsideration. Ed. Al LaValley and Barry P. Scherr. New Brunswick: Rutgers UP, 2001. 13-37.
• ---. The Cinema of Eisenstein. Cambridge,MA: Harvard UP, 1993.
• Bulgakowa, Oksana. "The Evolving Eisenstein." Eisenstein at 100: A Reconsideration. Ed. Al LaValley and Barry P. Scherr. New Brunswick: Rutgers UP, 2001. 38-51.
• ---. Sergei Eisenstein: A Biography. Trans Anne Dwyer. Berlin and San Francisco: PotemkinPress, 2001.
• --. Sergej Eisenstein--drei Utopien. Architekturentwürfe zur Filmtheorie. Berlin: PotemkinPress, 1996.
• --. Sergej Eisenstein: Eine Biographie. Berlin: PotemkinPress, 1997.
• Burns, Paul E. "Cultural Revolution, Collectivization, and Soviet Cinema: Eisenstein's Old and New and Dovzhenko's Earth." Film and History 11.4 (December 1981): 84-105.
• Carroll, Noël and Sally Banes. "Cinematic Nation-Building: Eisenstein's The Old and the New." Cinema and Nation. Ed. Mette Hjort and Scott Mackenzie. London: Routledge, 2000. 121-138.
• Christie, Ian. "Censorship, Culture, and Codpieces: Eisenstein's Influence on Britain during the 1930s and 1940s." Eisenstein at 100: A Reconsideration. Ed. Al LaValley and Barry P. Scherr. New Brunswick: Rutgers UP, 2001. 109-120.
• Christie, Ian and Richard Taylor, eds. Eisenstein Rediscovered. London: Routeldge, 1993.
• Eagle, Herbert. "Visual Patterning, Vertical Montage, and Ideological Protest: Eisenstein's Stylistic Legacy to East European Filmmakers." Eisenstein at 100: A Reconsideration. Ed. Al LaValley and Barry P. Scherr. New Brunswick: Rutgers UP, 2001. 169-190.
• Eisenschitz, Bernard. "Le Proletkult. Eisenstein." Russie années vingt. Cahiers de cinema 220-221 (May--June 1970). 38-45.
• Eisenstein, Sergei. "Alexander Nevsky". Two Films. Ed. Jay Leyda. Trans Diana Matias. NY: Frederick Ungar Pub, 1984.
• --. The Battleship Potemkin. Trans. Gillon R. Aitken. London: Faber and Faber, 1988.
• --. Complete Films of Eisenstein. Trans John Hetherington. London: Weidenfeld and Nicholson, 1974.
• --. Film Form. Tr. Jay Leyda. NY: Harcourt Brace & World, 1949.
• --. Film Sense. Tr. Jay Leyda. NY: Harcourt Brace & World, 1942.
• --. Immoral Memories: An Autobiography. Trans. Herbert Marshall. Boston: Houghton Mifflin Co, 1983.
• --. Ivan the Terrible. NY: Simon and Schuster, 1970.
• --. "October (Ten Days that Shook the World)." Two Films. Ed. Jay Leyda. Trans. Diana Matias. NY: Frederick Ungar Pub, 1984.
• --. Oeuvres I: Au-delà des étoiles. Trans. Jacques Aumont et al. Paris: 10/18, 1978.
• --. Oeuvres II: La non-indifférente nature. Trans. Luda and Jean Schnitzer. 2 vol. Paris: 10/18, 1976.
• --. Six Drawings Moskva: Muzei Kino, 1997.
• --. Volume I: Writings, 1922-1934. Ed. and tr. Richard Taylor. London: BFI, 1988.
• --. Volume II: Towards a Theory of Montage, 1937-1940. Ed. Michael Glenny and Richard Taylor. Tr. Michael Glenny. London: BFI, 1992.
• --. Volume III: Writings, 1935-1947. Ed. Richard Taylor. Tr. William Powell. London: BFI, 1996.
• --. Volume IV: Beyond the Stars. The Memoirs of Sergei Eisenstein. Ed. Richard Taylor. Tr. William Powell. London: BFI, 1995.
• Eizenshtein, Sergei. Memuary. Ed. Naum Kleiman. 2 vol. Moskva: "Trud" and Muzei kino, 1997.
• --. Metod. Kniga 1. Moskva: Muzei kino, Eizenshtein-tsentr, 2002.
• --. Metod Kniga 2. Moskva: Muzei kino, Eizenshtein-tsentr, 2002.
• --. Montazh. Moskva: VGIK, 1998.
• --. Montazh. Moskva: Muzei kino, 2000.
• --. Neravnodushnaia priroda. tom. 1: Chuvstvo kino. Moskva: Muzei kino, Eizenshtein-tsentr, 2004.
• --. Psikhologicheskie voprosy iskusstva. Moskva: Smysl, 2002.
• --. Sobranie sochinenii v shesti tomakh. Moskva: Iskusstvo, 1964-71.
• Geduld, Harry M. and Ronald Gottesman, eds. The Making and Unmaking of "Que Viva México!" Bloomington: Indiana UP, 1970.
• Gillespie, David. "Sergei Eisenstein: The Mytho-Poetics of Revolution." Early Soviet Cinema: Innovation, Ideology and Propaganda. By David Gillespie. London: Wallflower Pub., 2000. 37-58.
• Goodwin, James. "Eisenstein: Lessons in Hollywood." Eisenstein at 100: A Reconsideration. Ed. Al LaValley and Barry P. Scherr. New Brunswick: Rutgers UP, 2001. 91-108.
• ---. Eisenstein, Cinema, and History. Urbana: U of Illinois P, 1993.
• Grossi, Edoardo G. "Eisenstein as Theoretician: Preliminary Considerations." Eisenstein Rediscovered. Ed. Ian Christie and Richard Taylor. London: Routeldge, 1993.
• Iampolski, Mikhail. "The Invisible Text as a Universal Equivalent: Sergei Eisenstein." The memory of Tiresias: Intertextuality and Film. Trans. Harsha Ram. Berkeley: U of CA P, 1998.
• Iurenev, Rastislav. "Eizenshtein o montazhe." Montazh. By Sergei Eizenshtein. Moskva: VGIK, 1998.
• --. "Tragediia Bezhina luga." Kino: Metodologicheskie issledovaniia. Ed. V.M. Murian. Moskva: VGIK, 2001. 147-170.
• --. Sergei Eizenshtein: 1898-1929. Moskva: Iskusstvo, 1985.
• Ivanov, Viacheslav. "Eisenstein et la linguistique structurale moderne." Russie années vingt. Cahiers de cinema 220-221 (May--June 1970). 46-51.
• --. "Problema iskusstva po Eizenshteinu i bakhtinskii karnival." Close-Up: Istoriko-teoreticheskii seminar vo VGIKe: Lektsii 1996-1998 gody. Ed. Aleksandr Troshin. Moskva: VGIK, 1999. 10-19.
• Johnson, Vida. "Eisenstein and Tarkovsky: A Montage of Attractions." Eisenstein at 100: A Reconsideration. Ed. Al LaValley and Barry P. Scherr. New Brunswick: Rutgers UP, 2001. 161-168.
• Kenez, Peter. "A History of Bezhin Meadow." Eisenstein at 100: A Reconsideration. Ed. Al LaValley and Barry P. Scherr. New Brunswick: Rutgers UP, 2001. 193-206.
• Kepley, Vance. "The Evolution of Eisenstein's Old and New." Cinema Journal 14.1 (1974): 34-50.
• Khopkar, Arun. "Graphic Flourish: Aspects of the Art of the mise-en-scéne." Eisenstein Rediscovered. Ed. Ian Christie and Richard Taylor. London: Routeldge, 1993.
• Kinovedcheskie zapiski 36/37 (1997-1998). Special double issue on Sergei Eisenstein.
• Kleiman, Naum. "Arguments and Ancestors." Eisenstein Rediscovered. Ed. Ian Christie. London: Routeldge, 1993.
• --. "Eizenshtein. Bezhin lug (pervyi variant): kul'turno-mifologicheskie aspekty." Close-Up: Ostoriko-teoreticheskii seminar vo VGIKe: Lektsii 1996-1998 gody. Ed. Aleksandr Troshin. Moskva: VGIK, 1999. 20-37.
• ---. Formula finala: Stat'i, vystupleniia, besedy. Moskva: Eizenshtein-tsentr, 2004.
• Kozlov, L. K. "Ten' Groznogo i khudozhnik." Kinovedcheskie zapiski 15 (1992): 14-47.
• Kukui, Il'ia. "'Zhestokii talant' Sergei Eizenshteina: Tri istochnika i tri sostavnye chasti." Sovetskoe bogatstvo: Stat'i o kul'ture, literature i kino. Ed. Marina Balina, Evgenii Dobrenko, and Iurii Murashov. St. Petersburg: Akademicheskii proekt, 2002. 295-315.
• Lary, N.M. "Eisenstein and Shakespeare." Eisenstein Rediscovered. Ed. Ian Christie and Richard Taylor. London: Routeldge, 1993.
• ---. "Victor Shklovsky: The Good and Awkward Friend." Eisenstein at 100: A Reconsideration. Ed. Al LaValley and Barry P. Scherr. New Brunswick: Rutgers UP, 2001. 121-128.
• LaValley, Al. "Maintaining, Blurring, and Transcending Gender Lines in Eisenstein." Eisenstein at 100: A Reconsideration. Ed. Al LaValley and Barry P. Scherr. New Brunswick: Rutgers UP, 2001. 52-64.
• LaValley, Al and Barry P. Scherr. "Introduction: Rethinking Eisenstein." Eisenstein at 100: A Reconsideration. Ed. Al LaValley and Barry P. Scherr. New Brunswick: Rutgers UP, 2001. 1-9.
• LaValley, Al and Barry P. Scherr, eds. Eisenstein at 100: A Reconsideration. New Brunswick: Rutgers UP, 2001.
• Leach, Robert. "Eisenstein's Theatre Work." Eisenstein Rediscovered. Ed. Ian Christie and Richard Taylor. London: Routeldge, 1993.
• Leyda, Jay and Zina Voynow. Eisenstein at Work. NY: Pantheon Books, 1982.
• Lövgren, Håhan. "Eisenstein's October: On the Cinematic Allegorization of History." Eisenstein at 100: A Reconsideration. Ed. Al LaValley and Barry P. Scherr. New Brunswick: Rutgers UP, 2001. 77-88.
• ---. "Eisenstein's Pushkin Project." Eisenstein Rediscovered. Ed. Ian Christie and Richard Taylor. London: Routeldge, 1993.
• Margolit, E. Ia. "Barnet i Eizenshtein v kontekste sovetskogo kino." Kinovedcheskie zapiski 17 (1993): 165-80.
• Marshall, Herbert. Masters of the Soviet Cinema: Crippled Creative Biographies. London: Routledge and Kegan Paul, 1983.
• --, ed. Sergei Eisenstein's The Battleship Potemkin. NY: Avon, 1978.
• Mayer, David. Esienstein's Potemkin: A Shot-By-Shot Presentation. NY: Da Capo P, 1972 [rpt nd].
• Mayne, Judith. "Strike and Displaced Vision." Kino and the Woman Question: Feminism and Soviet Silent Cinema. By Judith Mayne. Columbus: Ohio State UP, 1989. 65-90.
• Michelson, Annette. "Reading Eisenstein Reading Capital." October 2 (1976): 27-38.
• ---. "Reading Eisenstein Reading Ulysses: Montage and the Claims of Subjectivity." Art & Text 34 (1989): 64-78.
• Mikhailovich, V. I. "O mifologichnosti Bronenostsa 'Potemkina'." Kinovedcheskie zapiski 17 (1993): 150-64.
• Moussinac, Léon. Sergei Eisenstein: An Investigation Into His Films and Philosophy. Trans. D. Sandy Petrey. NY: Crown, 1970.
• Nesbet, Anne. "Ivan the Terrible and 'The Juncture of Beginning and End'." Eisenstein at 100: A Reconsideration. Ed. Al LaValley and Barry P. Scherr. New Brunswick: Rutgers UP, 2001. 292-304.
• ---. Savage Junctures: Sergei Eisenstein and the Shape of Thinking. KINO: The Russian Cinema Series. NY: I. B. Tauris, 2003.
• Neuberger, Joan. "The Politics of Bewilderment: Eisenstein's Ivan the Terrible in 1945." Eisenstein at 100: A Reconsideration. Ed. Al LaValley and Barry P. Scherr. New Brunswick: Rutgers UP, 2001. 227-252.
• Nizhny, Vladimir. Lessons with Eisenstein. Tr. and ed. Ivor Montagu and Jay Leyda. NY: Hill & Wang, 1992.
• O'Pray, Michael. "The Frame and Montager in Eisenstein's 'Later' Aesthetics." Eisenstein Rediscovered. Ed. Ian Christie and Richard Taylor. London: Routeldge, 1993.
• Podoroga, Valerii. "Materialy k psikhobiografii S.M. Eizenshteina." Avto-bio-grafiia: k voprosu o metode. Tetradi po analiticheskoi antropologii 1. Moskva: Logos, 2001. 7-140.
• Richardson, Paul E. "The First Master of Russian Film." Russian Life. February 1998: 37-39, 44-46.
• Ronen, Omry. "Once in a Lifetime: Eisenstein and His Associates as Literary Prototypes in a Novel by Lev Kassil." Eisenstein at 100: A Reconsideration. Ed. Al LaValley and Barry P. Scherr. New Brunswick: Rutgers UP, 2001. 129-135.
• Ropars, Marie Claire. "The Overture of October," Enclitic 2.2 (1978) and 3.1 (1979).
• Salazkina, Masha. "Addressing the dialectics of sexual difference in Eisenstein's Que viva México! Screen 48.1 (Spring 2007): 45-67.
• Scherr, Barry P. "Alexander Nevsky: Film Without a Hero." Eisenstein at 100: A Reconsideration. Ed. Al LaValley and Barry P. Scherr. New Brunswick: Rutgers UP, 2001. 207-226.
• Selden, Daniel L. "Vision and Violence: The Rhetoric of Potemkin." Quarterly Review of Film Studies 7.4 (Fall 1982): 308-329.
• Seton, Marie. Sergei M. Eisenstein. NY: A.A. Wyn, 1953.
• Seydor, Paul. "Eisenstein's Aesthetic: A Dissenting View." Sight and Sound 43.1 (Winter 1973-74): 38-43.
• Shklovskii, Viktor. Eizenshtein. Moscow: Iskusstvo, 1976.
• Sirk, Derek and Elena Pinto Simon. "Jay Leyda and Bezhin Meadow." Eisenstein Rediscovered. Ed. Ian Christie and Richard Taylor. London: Routeldge, 1993.
• Stollery, Martin. "Montage, Modernity and Ethnicity." Alternative Empires: European Modernist Cinemas and Cultures of Imperialism. Exeter: U of Exeter P, 2000. 59-99.
• Swallow, Norman. Eisenstein: A Documentary Portrait. NY: E.P. Dutton, 1977.
• Taylor, Richard. The Battleship Potemkin. KINOfiles Film Companion 1. London: I.B. Tauris, 2000.
• --. "October" and "Alexander Nevsky." Film Propaganda: Soviet Russia and Nazi Germany. 2^nd rev. ed. London: Taurus, 1998.
• Taylor, Richard and Ian Christie, eds. Eisenstein Rediscovered. London: Routledge, 1993.
• Thompson, Kristin. "Eisenstein's Early Films Abroad." Eisenstein Rediscovered. Ed. Ian Christie and Richard Taylor. London: Routeldge, 1993.
• --. Eisenstein's Ivan the Terrible: A Neoformalist Analysis. Princeton: Princeton UP, 1981.
• Tsikounas, Myriam. "Eisenstein and the Theory of 'Models': or, How to Distract the Spectator's Attention." Eisenstein Rediscovered. Ed. Ian Christie and Richard Taylor. London: Routeldge, 1993.
• Tsivian, Yuri. "Eisenstein and Russian Symbolist Culture: An Unknown Script of October." Eisenstein Rediscovered. Ed. Ian Christie and Richard Taylor. London: Routeldge, 1993.
• ---. Ivan the Terrible. BFI Film Classics. London: BFI Publishing, 2002.
• ---. "Ivan the Terrible: Eisenstein's Rules of Reading." Eisenstein at 100: A Reconsideration. Ed. Al LaValley and Barry P. Scherr. New Brunswick: Rutgers UP, 2001. 268-291.
• Tsiv'ian, Iurii. "'Bisex' kak tema i kak khudozhestvennyi priem: k sisteme obrazov v Ivane Groznom Eizenshteina." Tynianovskii sbornik 11 (2002): 730-747.
• Turovskaia, Maia. "Mosfil'm--1937." Sovetskoe bogatstvo: Stat'i o kul'ture, literature i kino. Ed. Marina Balina, Evgenii Dobrenko, and Iurii Murashov. St. Petersburg: Akademicheskii proekt, 2002. 277-294.
• Ulenbrukh, Bernd. "Instsenirovka mifa: O fil'me S. Eizenshteina Aleksandr Nevskii." Sovetskoe bogatstvo: Stat'i o kul'ture, literature i kino. Ed. Marina Balina, Evgenii Dobrenko, and Iurii Murashov. St. Petersburg: Akademicheskii proekt, 2002. 316-327.
• Vitte, Georg. "Proza teorii: O biografii Sergeia Eizenshteina, napisannoi Viktorom Shklovskim." Sovetskoe bogatstvo: Stat'i o kul'ture, literature i kino. Ed. Marina Balina, Evgenii Dobrenko, and Iurii Murashov. St. Petersburg: Akademicheskii proekt, 2002. 328-341.
• Woll, Josephine. "Eisenstein's Barometer of the Thaw." Eisenstein at 100: A Reconsideration. Ed. Al LaValley and Barry P. Scherr. New Brunswick: Rutgers UP, 2001. 136-147.
• Yampolsky, Mikhail. "The Essential Bone Structure: Mimesis in Eisenstein." Eisenstein Rediscovered. Ed. Ian Christie and Richard Taylor. London: Routeldge, 1993.
• Zorkaia, Neie. "Bronenosets Potemkin na reide." Krutitsia, vertitsia shat goluboi: Desiat' shedevrov sovetskogo kino. Moskva: Znanie, 1998. 25-48.
• Zholkovsky, Alexander. "Generative Poetics in the Writing of Eisenstein." Film Theory and General Semiotics. Ed. Ann Shukman. Oxford: Russian Poetics in Translation, 1981.
• --. "Poetika Eizenshteina--dialogicheskaia ili totalitarnaia." Kinovedcheskie zapiski 16 (1992): 118-39.
• ---. "The Power of Grammar and the Grammar of Power: The Childhood Scenes in Ivan the Terrible." Eisenstein at 100: A Reconsideration. Ed. Al LaValley and Barry P. Scherr. New Brunswick: Rutgers UP, 2001. 253-267.

Ekk [Ivakin], Nikolai (1902-1976):

• Kaganovsky, Lilya. "Forging Soviet Masculinity in Nikolai Ekk's The Road to Life." Gender and National Identity. Ed. Helena Goscilo and Andrea Lanoux. DeKalb: Northern Illinois UP, 2006. 93-114.
• Margolit, Evgenii. "Proiskhozhdenie geroia (Putevka v zhizn' i iazyk narodnoi kul'tury." Kinovedcheskie zapiski 12 (1991): 74-98.

Ermler, Fridrikh (1898-1967):

• Bagrov. Peter. "Ermler, Stalin, and Animation: On the Film The Peasants (1934)." Trans. Vladimir Padunov. KinoKultura 15 (January 2007).
• Cassiday, Julie A. "Kirov and Death in The Great Citizen: The Fatal Consequences of Linguistic Mediation." Slavic Review 64.4 (Winter 2005): 799-822.
• Ermler, Fridrikh. Dokumenty, stat'i, vospominaniia. Leningrad: Iskusstvo, 1974.
• Mayne, Judith. "Fragment of an Empire and the Woman in the Window." Kino and the Woman Question: Feminism and Soviet Silent Cinema By Judith Mayne. Columbus: Ohio State UP, 1989. 130-153.
• Sepman, I.V., ed. Fridrikh Ermler: dokumenty, stat'i, vospominaniia. Leningrad: Iskusstvo, 1974.
• Smith, Murray. "The Influence of Socialist Realism on Soviet Montage: The End of St. Petersburg, Fragment of an Empire, and Arsenal." Journal of Ukrainian Studies 19.1 (1994): 45-65.
• Tsivian, Yuri and Mikhail Iampol'skii. "La poétique d'un text hétérogène: Débris d'Empire de Friedrikh Ermler." La licorne 7 (1990): 221-334.
• Youngblood, Denise. "Cinema as Social Criticism: The Early Films of Fridrikh Ermler." The Red Screen: Politics, Society, Art in Soviet Cinema. Ed. Anna Lawton. London: Routledge, 1992.
• --. "Fridrikh Ermler and the Social Problem Film." Movies for the Masses: Popular Cinema and Soviet Society in the 1920s. By Denise Youngblood. NY: Cambridge UP, 1992.

Evstigneev, Evgenii (1926-1992):

• Groisman, Ia.I., comp. Evgenii Evstigneev--narodnyi artist. Nizhnyi Novgorod: Dekom, 1998.

Evtushenko, Evgenii (1933- ):

• Condee, Nancy and Vladimir Padunov. "Children At War: Films by Gubenko, Evtushenko, and Bykov." Framework 30/31 (1986): 16-35.
• Evtushenko, Evgenii. Detskii sad: kinostsenarii. Moskva: Iskusstvo, 1989.

FEKS (Factory of the Eccentric Actor):

See also entries for Iutkevich, Sergei, Kozintsev, Grigorii, and Trauberg, Leonid.

• Bulgakova, Oksana. "Bul'vardizatsiia avangarda--fenomen FEKS." Kinovedcheskie zapiski 7 (1990): 27-47.
• Bulgakowa, Oksana. FEKS: Die Fabrik des Exzentrischen Schauspielers. Berlin: PotemkinPress, 1996.
• Butovskii, Ia. L. "FEKSy. Moskvin." Kinovedcheskie zapiski 7 (1990): 122-131.
• Christie, Ian and John Gillett. Futurism/Formalism/FEKS: "Eccentrism" and Soviet Cinema, 1918-1936. London: British Film Institute, 1978.
• Kinovedcheskie zapiski 7 (1990). Special issue devoted to FEKS.
• Levin, E.S. "Meierkhol'd, ekstsentrizm i FEKS (odin iz aspektov problemy)." Kinovedcheskie zapiski 7 (1990): 97-100.
• Nedobrovo, Vladimir. "L'acteur de la FEKS." Russie années vingt. Cahiers de cinema 220-221 (May--June 1970). 108-113.
• Nedobrovo, Vladimir, ed. FEKS: Grigorii Kozintsev. Leonid Trauberg. Intro. Viktor Shklovskii. M-L: Kinopechat', 1928.
• Poliwoda, Bernadette. FEKS--Fabrik des exzentristen Schauspielrrs: Vom Exzentismus zur Poetik des Films in der frühen Sowjetkultur. Munich: Verlag Otto Sagner, 1994.
• Teilor [Taylor], Richard. "Ekstsentrizm kak kul'turnaia revoliutsiia." Kinovedcheskie zapiski 7 (1990): 11-19.
• Tsivian, Iurii. "Rannie FEKSy i kul'turnaia tematika 20-kh godov." Kinovedcheskie zapiski 7 (1990): 20-26.
• Zhuk, O.A. "Chertovo koleso i gorodskaia kul'tura." Kinovedcheskie zapiski 7 (1990): 56-61.

Filatov, Leonid (1946- ):

• Smekhov, V.B. Portret na fone golosa: Leonid Filatov. Moskva: Kinotsentr, 1991.

Gaidai, Leonid (1923-1993)

• Bauman, El. "V chem sila ekstsentriki (Zametki o tvorchestve Leonida Gaidaia." Kino i vremia. vol. 3. Moskva: Iskusstvo, 1980. 120-144.
• Frolov, Ivan. V luchakh ekstsentriki. Moskva: Iskusstvo, 1991.
• Lainer, Lev. Veselaia troitsa. Moskva: Tsentrpoligraf, 2001.
• Michaels, Paula. "Prisoners of the Caucasus: From Colonial to Postcolonial Narrative." Russian Literature on the Silver Screen. Russian Studies in Literature. 40.2 (Spring 2004): 52-77.
• Popsheva, Mariia, Valerii Ivanov, and Vladimir Tsukerman. Gaidai Sovetskogo Soiuza. Moskva: Eksmo, 2002.
• Prokhorov, Alexander. "Cinema of Attractions versus Narrative Cinema: Leonid Gaidai's Comedies and El'dar Riazanov's Satires of the 1960s." Slavic Review 62.3 (Fall 2003): 455-472.
• Tsymbal, Evgenii, Natal'ia Varlei, Aleksandr Zatsepin, Iakov Kostiukovskii, Savva Kulish, and Viacheslav Nevinnyi. "Ot smeshnogo do velikogo. Vospominaniia o Leonide Gaidae." Iskusstvo kino 10 (2003): 109-129.

Georgian Cinema

• Ratiani, Irina. U istokov gruzinskogo kino. Moskva: Ministerstvo kul'tury Rossiiskoi Federatsii, Rossiiskii institut kul'turologii, 2003.

Gerasimov, Sergei (1906-1985):

• Gerasimov, Sergei. "Out of the Factory of the Eccentric Actor." Trans. David Robinson. Ed. Luda & Jean Schitzer and Marcel Martin. Cinema in Revolution. NY: Hill & Wang, 1973.
• --. Vospitanie kinorezhissera. Moskva: Iskusstvo, 1978.
• Ivanova, Valentina. "Gerasimov." Zapiski literaturnogo raba. Moskva: Sovetskii pisatel', 2003. 215-221.
• Rostotskaia, M. and M. Vodenko, eds. Posleslovie: S.A. Gerasimov v vyskazyvaniiakh, vospominaniiakh, pis'makh. Moskva: VGIK, 1996.
• Tiurin, Iurii. "Khudozhestvennyi mir Sholokhova i kino" in Perspektiva pamiati. Moskva: Materik, 64-142.

German, Aleksei (1938- ):

• Aronson, Oleg. "Po tu storonu kino: Khrustalev, mashinu! Alekseia Germana i problema 'sovetskogo'." Metakino. Moskva: Ad Marginem, 2003. 218-230.
• Berezovchuk, Larisa. "Identifikatsiia vremeni (Ob ekrannom voploshchenii istorii, proshlogo i pamiati v fil'makh Alekseia Germana Moi drug Ivan Lapshin i Khrustalev, mashinu)." Kinovedcheskie zapiski 76 (2005): 178-212.
• Buttafava, Giovanni. "Alexei German, or the Form of Courage." The Red Screen: Politics, Society, Art in Soviet Cinema. Ed. Anna Lawton. London: Routledge, 1992.
• Condee, Nancy and Vladimir Padunov. "Recent Soviet Cinema and Public Responses: Abdrashitov and German." Framework 29 (1985): 42-58.
• Eagle, Herbert. "Soviet Cinema Today: On the Semantic Potential of a Discredited Canon." Michigan Quarterly Review 28.4 (Fall 1989): 743-60.
• Forman, Betty Yetta. "The 1930s as Seen from the 1980s: Aleksey German's My Friend Ivan Lapshin." Studies in Comparative Communism 21.3/4 (1988): 283-292.
• German, Aleksey. "My Friend Aleksandr Sokurov." Lenfilm and the Liberation of Cinema. Rotterdam: Rotterdam Film Festival, 1990. 30-34.
• German, Aleksey and Yuri Pavlov. "The Workshop for First Films." Lenfilm and the Liberation of Cinema. Rotterdam: Rotterdam Film Festival, 1990. 15-20.
• Gukasian, F.F. "Aleksei German." Rezhissery sovetskogo khudozhestvennogo fil'ma. vyp. 3. Moskva: Soiuzinformkino, 1986. 10-12.
• Gukasyan, Frizheta. "Aleksey German, Three-and-a-Half Films Later." Lenfilm and the Liberation of Cinema. Rotterdam: Rotterdam Film Festival, 1990. 27-29.
• Hoberman, J. "Exorcism: Alexei Guerman among the Long Shadoes." Film Comment 35.1 (Jan-Feb 1999): 48-53.
• Mikhailik, Elena. "Sequence of Tenses: Aleksei German's Film Adaptation of Iurii German's Lapshin." Russian Literature on the Silver Screen (II). Russian Studies in Literature. 40.3 (Summer 2004): 32-45.
• Rifkin, Benjamin. Semiotics and Narration in Film and Prose Fiction: Case Studies of Scarecrow and My Friend Ivan Lapshin. Russian and east European Studies in Aesthetics and the Philosophy of Culture 2. NY: Peter Lang, 1994.
• Shmarina, L. "Shlagbaum na dorogakh." Iz proshlogo v budushchee: Proverka na dorogakh. Ed. N. Dymshits and Aleksandr Troshin. Moskva: VNII Kinoiskusstva, 1990. 117-125.
• Wood, Tony. "Time Unfrozen: The Films of Aleksei German." New Left Review 7 (Jan-Feb 2001): 99-107.
• Yampolski, Michail. "From Social Clichés to the Metaphysics of the Body." Lenfilm and the Liberation of Soviet Cinema. Rotterdam: Rotterdam Film Festival, 1990. 45-49.

Gogoberidze, Lana (1928- ):

• Tsereteli, Korina. Lana Gogoberidze. Moskva: SK SSSR/Vsesoiuznoe biuro propagandy kinoiskusstva, 1987.

Goldovskaia, Marina (1941- ):

• Goldovskaia, Marina. Zhenshchina s kinoapparatom. Moskva: Materik, 2002.
• Taubman, Jane. "The Art of Marina Goldovskaia." Slavic Review 54.4 (1995): 1010-15.

Gosfil'mofond: (see also Belye Stolby Archival Film Festival)

• Malyshev, Vladimir. Gosfil'mofond: Zemlianichnaia poliana. Moskva: Pashkov Dom, 2005.
• Padunov, Vladimir. "Storing and Restoring History: Gosfil'mofond and the 10th Belye Stolby Archival Film Festival." KinoKultura 12 (April 2006).

Govorukhin, Stanislav (1936- ):

• Govorukhin, Stanislav. Rossiia... kotoruiu my poterialy. Moskva: Soiuz zhurnalistov Moskvy, 1991.
• --. Velikaia kriminal'naia revoliutsiia.Moskva: Andreevskii flag, 1993.
• Naiman, Eric and Anne Nesbet. "Documentary Discipline: Three Interrogations of Stanislav Govorukhin." Soviet Hieroglyphics: Visual Culture in Late Twentieth-century Russia. Ed. Nancy Condee. London/Bloomington: BFI/Indiana UP, 1995. 52-67

Gubenko, Nikolai (1941- ):

• Anninskii, Lev. Nikolai Gubenko. Moskva: SK SSSR/Vsesoiuznoe biuro propagandy kinoiskusstva, 1986.
• Condee, Nancy and Vladimir Padunov. "Children At War: Films by Gubenko, Evtushenko, and Bykov." Framework 30/31 (1986): 16-35.
• Ivanova, Valentina. "Gubenko." Zapiski literaturnogo raba. Moskva: Sovetskii pisatel', 2003. 243-254.

Gurchenko, Liudmila (1935- ):

• Gurchenko, Liudmila. Aplodistmenty. Moskva: Sovremennik, 1987.
• --. Moe vzrosloe detstvo. Moskva: Molodaia gvardiia, 1983.

Gurevich, Leonid (1932-2001)

• Berezanskaia, Sima, comp. Leonid Gurevich: Kadry zhizni. Moskva: Frosta Dizain, 2002.

Go to Russian and Soviet Cinema: Bibliography