4.10. Russian and Soviet Filmmakers
4.10.1. Russian and Soviet Filmmakers: A-D
Abdrashitov, Vadim (1945- ):
- Andreeva, O. "Otechestvennoe kino v litsakh: Vadim Abdrashitov --
Aleksandr Mindadze." Kinograf 5 (1998): 34-73.
- Anninskii, Lev and Andrei Shemiakin. "Vremia tantsora."
Seans 16 (1997): 98-101.
- Astaf'ev, Viktor, et al. "Posleslovie." Iskusstvo
kino 5 (1998): 50-67.
- Barisone, Luciano. "Il dritto e il rovescio: La chimica della vita
secondo Vadim Abdrasitov." Vadim Abdrasitov. Ed. Eugenia
Gaglianone, Fiammetta Girola, and Bruno Fornara. Bergamo: Media, 2000.
11-20.
- Condee, Nancy and Vladimir Padunov. "Recent Soviet Cinema and
Public Responses: Abdrashitov and German." Framework 29
(1985): 42-58.
- Fornara, Bruno. "Balli boschi mare padrone servo treni." Vadim
Abdrasitov. Ed. Eugenia Gaglianone, Fiammetta Girola, and Bruno
Fornara. Bergamo: Media, 2000. 63-71.
- Gaglianone, Eugenia. "La messinscena della vista: Intervista a Vadim
Abdrasitov." Vadim Abdrasitov. Ed. Eugenia Gaglianone,
Fiammetta Girola, and Bruno Fornara. Bergamo: Media, 2000. 21-46.
- Gaglianone, Eugenia, Fiammetta Girola, and Bruno Fornara, eds.
Vadim Abdrasitov. Bergamo: Media, 2000.
- Maslova, L. "Shest' siuzhetov v poiskakh smysla." Iskusstvo
kino 2 (1998): 24-33.
- Mindadze, Aleksandr. Ostanovilsia poezd: kinostsenarii.
Moskva: Iskussto, 1983.
- --. Vremia tantsora. Vremia tantsora:
kinopovesti. Moskva: AST-LTD, 1997: 3-63,
- Padunov, Vladimir. "Alienation and the Everyday: The Films of
Aleksandr Mindadze and Vadim Abdrashitov." Newsletter 19
March 1987 (Institute of Current World Affairs, Hanover, New
Hampshire): 1-9.
- Shemjakin, Andrej. "Vadim Abdrasitov e Aleksandr Mindadze:
venticinque anni di solitudine." Vadim Abdrasitov. Ed.
Eugenia Gaglianone, Fiammetta Girola, and Bruno Fornara. Bergame: Media,
2000. 53-62.
Abuladze, Tengiz (1924-1994):
- Aleinikov, Igor. "Between the Circus and the Zoo." Russian
Critics on the Cinema of Glasnost. Ed. Michael Brashinsky and
Andrew Horton. NY: Cambridge UP, 1994.
- Bozhovich, Viktor, comp. Pokaianie. Seriia "Ot zamysla
k fil'mu." Moskva: Kinotsentr, 1998.
- Ivanova, Valentina. "Abuladze." Zapiski literaturnogo
raba. Moskva: Sovetskii pisatel', 2003. 205-215.
- Khloplyankina, Tatyana. "On the Road That Leads to the Truth."
Russian Critics on the Cinema of Glasnost. Ed. Michael
Brashinsky and Andrew Horton. NY: Cambridge UP, 1994.
- Tugushi, S. "Eshche odin urok Tengiza Abuladze." Kino:
Metodologicheskie issledovaniia. Ed. V.M. Murian. Moskva: VGIK,
2001. 187-190.
- Woll, Josephine and Denise J. Youngblood. "Repentance: The
Film Companion." KINOfiles Film Companion 4. London: I.B. Taurus,
2001.
- Youngblood, Denise. "Repentance: Stalinist Terror and
the Realism of Surealism." Revisioning History: Film and the
Construction of a New Past. Ed. Robert
A. Rosenstone. Princeton: princeton UP, 1995. 139-54.
Aleinikov, Igor' (1962-1994):
- Aleinikov, Igor'. Dnevnik. Moskva: Cine Fantom,
1999.
Aleksandrov, Grigorii (1903-1983):
- Aleksandrov, Grigorii. Epokha I kino. Moskva:
Politizdat, 1983.
- Clark, Katerina. "'Chtoby tak pet', dvadtsat' let uchit'sia
nuzhno...': Sluchai Volgi-Volgi." Sovetskoe bogatstvo:
Stat'i o kul'ture, literature i kino. Ed. Marina Balina, Evgenii
Dobrenko, and Iurii Murashov. St. Petersburg: Akademicheskii proekt,
2002. 371-390.
- Dobrenko, Evgeny. "Soviet Comedy Film: or, the Carnival of
Authority." Trans. Jesse M. Savage. Discourse 17.3
(Spring 1995): 49-57.
- Entsensberger, Mariia. "Skazka i byl' v sovetskoi muzykal'noi komedii:
Svetlyi put' G. V. Aleksandrova." Kinovedcheskie
zapiski. 13 (1992):107-119.
- Enzensberger, Maria. "'We Were Born to Turn a Fairy
Tale Into Reality'--Grigorii Aleksandrov's The Radiant Path."
Stalinism and Soviet Cinema. Ed. Richard Taylor and Derek
Spring. London: Routledge, 1993.
- Holmgren, Beth. "The Blue Angel and Blackface: Redeeming
Entertainment in Aleksandrov's Circus." Russian
Review 66.1 (January 2007): 5-22.
- Lahusen, Thomas. "Ot nesinkhronizirovannogo smekha k
post-sinkhronizovannoi komedii, ili Kak stalinskii miuzikl dognal i
peregnal Gollivud." Sovetskoe bogatstvo: Stat'i o kul'ture,
literature i kino. Ed. Marina Balina, Evgenii Dobrenko, and
Iurii Murashov. St. Peterburg: Akademicheskii proekt, 2002. 342-357.
- Prokhorov, Alexander. "Revisioning Aleksandrov's Circus:
Seventy Years of the Great Family." Russian Review 66.1
(January 2007): 1-4.
- Ratchford, Moira. "Circus of 1936: Ideology and
Entertainment Under the Big Top." Inside Soviet Film Satire:
Laughter with a Lash. Ed. Andrew Horton. NY: Cambridge UP,
1993.
- Saakov, Iurii. "Volshebnye grezy: Ob odnom nesniatom
fil'me G. Aleksandrova." Kinograf 11 (2002): 206-216.
- Salis, Rimgaila. "U ustokov Volgi-Volgi."
Kinovedcheskie zapiski 76 (2005): 314-343.
- Salys, Rimgaila. "Art Deco Aesthetics in Grigorii Aleksandrov's
The Circus." Russian Review 66.1 (January
2007): 23-35.
- Stishova, Elena. "Prikliucheniia Zolushki v strane bol'shevikov."
Frauen in der Kultur: Tendenzen in Mittel- und Osteuropa.
Ed. Christine Engel und Renata Reck. Innsbruck: Wach der Wende, 2000.
233-242.
- Swallow, Norman. "Alexandrov." Sight and Sound 48.4
(Autumn 1979): 246-49.
- Taylor, Richard. "But eastward, look, the land is brighter: towards a
topographyy of utopia in the Stalinist musical." 100 Years of
European cinema: Entertainment or ideology? Ed. Diana Holmes and
Alison Smith. Manchester: Manchester UP, 2000. 11-26.
- ---. "K topografii utopii v stalinskom miuzikle." Sovetskoe
bogatstvo: Stat'i o kul'ture, literature i kino. Ed. Marina
Balina, Evgenii Dobrenko, and Iurii Murashov. St. Peterburg:
Akademicheskii proekt, 2002. 358-370.
- Turovskaia, Maia. "Mosfil'm--1937." Sovetskoe bogatstvo:
Stat'i o kul'ture, literature i kino. Ed. Marina Balina, Evgenii
Dobrenko, and Iurii Murashov. St. Petersburg: Akademicheskii proekt,
2002. 277-294.
- Turovskaya, Maya. "The Strange Case of the Making of Volga,
Volga." Trans. Andrew Andreyev. Inside Soviet Film
Satire: Laughter with a Lash. Ed. Andrew Horton. NY: Cambridge
UP, 1993.
- Zorkaia, Neia. "Tsirk i sverkaiushchie geroini Liubovi
Orlovoi." Krutitsia, vertitsia shat goluboi: Desiat' shedevrov
sovetskogo kino. Moskva: Znanie, 1998. 109-130.
Alov, Aleksandr (1923-1983) and Naumov, Vladimir (1927- ):
- Alova, L. V., compl. Alov i Naumov. Stat'i. Svidetel'stvo.
Vyskazyvaniia. Moskva: Iskusstvo, 1989.
Armenfil'm [Studio] named for A. Bek-Nazarov]:
1923: Goskino
autumn 1923: Gosfotokino
1928: Armenkino
1938: Erevan Film Studio
1957: Armenfil'm
1966: addition of "named for A. Bek-Nazarov"
- Gasparian, Al'bert, ed. Kino Armenii. Moskva:
Kron-Press, 1994.
Askol'dov, Aleksandr (1937- ):
- Andrew, Joe. "Birth equals rebirth? Space, narrative and gender in
The Commissar". Studies in Russian and Soviet
Cinema. 1.1 (2007): 27-44.
- Barratt, Andrew. "In the Name of the Father: The Eisenstein
Connection in Films by Tarkovsky and Askoldov." Eisenstein at 100:
A Reconsideration. Ed. Al LaValley and Barry P. Scherr. New
Brunswick: Rutgers UP, 2001. 148-160.
- Glaessner, Verina. "Komissar (The
Commissar)." Monthly Film Bulletin 56 (1989):
140-1.
- Roberts, Graham. "The sound of silence: from Grossman's Berdichev to
Askol'dov's Commissar."
Russian and Soviet Film Adaptations of Literature, 1900-2001:
Screening the word. London: RoutledgeCurzon, 2005. 89-99.
- Stishova, Elena. "The Mythologization of Soviet Woman: The
Commissar and Other Cases." Red Women on the Silver
Screen: Soviet Women and Cinema from the Beginning to the End of the
Communist Era. Ed Lynne Attwood. London: Pandora, 1993.
- --. "Passions Over Commissar." Contemporary
Soviet Cinema. Ed. Vance Kepley, Jr. WideAngle
12.4 (October 1990): 62-75.
- Turovskaya, Maya. "Commissar." Russian Critics
on the Cinema of Glasnost. Ed. Michael Brashinsky and Andrew
Horton. NY: Cambridge UP, 1994.
Astrakhan, Dmitrii (1957- ):
- Graffy, Julian. "Dmitri Astrakhan: Popular Cinema for a Time of
Uncertainty." Russia on Reels: The Russian Idea in Post-Soviet
Cinema. Ed. Birgit Beumers. London: I.B. Tauris, 1999.
161-178.
- Prokhorova, Elena. "Challenging Nostalgic Imagination: The Case of
Dmitry Astrakhan." Slavic and East European Journal 48.3
(Fall 2004): 421-437.
Babel', Isaak (1894-1941):
- Babel', Isaak. Bluzhdaiushchie zvezdy: kino-stsenarii.
Moskva: Kinopechat', 1926.
Babochkin, Boris (1904-1975):
- Babochkin, Boris. Vospominaniia. Dnevniki, Pis'ma.
Moskva: Materik, 1996.
Balabanov, Aleksei (1959):
- "Aleksei Balabanov: portret." Seans 17-18 (1999):
217-228.
- Balabanov, Aleksei. Brat, Brat-2, i drugie fil'my.
Moskva: AST i SPb: Astrel' SPb, 2005.
- Larsen, Susan. "National Identity, Cultural Authority, and the
Post-Soviet Blockbuster: Nikita Mikhalkov and Aleskei Balabanov."
Slavic Review 62.3 (Fall 2003): 491-511.
- Lipovetsky, Mark. "Post-Sots: Transformations of Socialist Realism in
the Popular Culture of the Recent Period." Slavic and East European
Journal 48.3 (Fall 2004): 356-377.
- Tippner, Anja. "Selbstjustiz als Ausdruck von Gewalt im russischen
Film der neunziger Jahre: A. Balabanovs Brat 1 + 2 und K. Muratovas
Tri istorii. Der Welt der Slaven 48, 2003:
321-334.
Balaian, Roman (1941- ):
- Bogomolov, Iu. A. "Roman Balaian." Rezhissery sovetskogo
khudozhestvennogo fil'ma. vyp. 3. Moskva: Soiuzinformkino, 1986.
3-5.
Barnet, Boris (1902-1965):
- Eisenschitz, Bernard. "A Fickle Man, or Portrait of Boris Barnet
as a Soviet Director." Inside the Film Factory: New Approaches
to Russian and Soviet Cinema. Ed. Richard Taylor and Ian
Christie. London: Routledge, 1991.
- Kushnirov, Mark. Zhizn' i film'y Borisa Barneta.
Moskva: Iskusstvo, 1977.
- Margolit, E. Ia. "Barnet i Eizenshtein v kontekste sovetskogo
kino." Kinovedcheskie zapiski 17 (1993): 165-80.
- Murashov, Iurii. "Slepye geroi--slepye zriteli: O statuse zreniia i
slova v sovetskom kino." Sovetskoe bogatstvo: Stat'i o kul'ture,
literature i kino. Ed. Marina Balina, Evgenii Dobrenko, and Iurii
Murashov. St. Peterburg: Akademicheskii proekt, 2002. 412-426.
- Ostrovskii, D.V. "Boris Barnet: Mutatsiia kul'turnogo soznaniia kontsa
20-kh godov." Kinovedcheskie zapiski. 22 ((1994): 91-133.
- Youngblood, Denise. "Boris Barnet, Soviet actor/Soviet director."
Movies for the Masses: Popular Cinema and Soviet Society in the
1920s. By Denise Youngblood. NY: Cambridge UP, 1992.
- Zorkaia, Neia. "Devushka s korobkoi, prochie devushki i
neotrazimyi Boris Barnet za kadrom." Krutitsia, vertitsia shat
goluboi: Desiat' shedevrov sovetskogo kino. Moskva: Znanie, 1998.
65-78.
Bashirov, Aleksandr (1955- ):
- Maslova, L. "Aleksandr B., sidiashchii na trube." Iskusstvo
kino 11 (1998): 51-57.
Bauer, Evgenii (1865-1917):
- Bridgett, Rob. "The Thematic and Stylistic Unity Inherent in the
Films of Evgenii Bauer."
http:www3telus.net/kbridget/bauer.htm
- Gromov, E. "Dekorativnoe masterstvo Evgeniia Bauera." Voprosy
kinoiskusstva 18 (1976). Moskva: Nauka, 1976. 285-303.
- Korotkii, V.M. "Evgenii Bauer: Predistoriia kinorezhissera."
Kinovedcheskie zapiski. 10 (1991): 43-59.
- --. "Vozvrashchaias' k publikatsii o Bauere, ili metodologiia
oshibki." Kinovedcheskie zapiski. 12 (1991): 237-243.
- McReynolds, Louise. "Home Was Never Where the Heart Was: Domestic
Dystopias in Russia's Silent Movie Melodramas." Imitations of Life:
Two Centuries of Melodrama in Russia. Ed. Louise McReynolds and
Joan Neiberger. Durham: Duke UP, 2002: 127-151.
- ---. "The Silent Movie Melodrama: Evgenii Bauer Fashions the
Heroine's Self." Self and Story in Russian History. Ed.
Laura Engelstein and Stephanie Sandler. Ithaca: Cornell UP, 2000.
120-140.
- Morley, Rachel. "'Crime without punishment': reworkings of
nineteenth-century Russian literary sources in Evgenii Bauer's Child of
the Big City.
Russian and Soviet Film Adaptations of Literature, 1900-2001:
Screening the word. London: RoutledgeCurzon, 2005. 27-43.
- ---. "Gender Relations in the Films of Evgenii Bauer."
The Slavonic and East European Review 81.1 (January 2003):
33-69.
- Robinson, David. "Evgeni Bauer and the Cinema of Nikolai
II." Sight & Sound (Winter 1989/1990): 51-55.
- Schlüpmann, Heide. "From Patriarchal Violence to the Aesthetics
of Death: Russian Cinema 1909-1919 (Pordenone, 1989)."
Cinefocus 2.2 (Spring 1992): 2-9.
- Tsivian, Yury. "Cutting and framing in Bauer's and Kuleshov's films."
Kintop (1993): 103-113.
- --. "The Invisible Novelty: Film Adaptations in the 1910s."
A Companion to Literature and Film. Ed. Robert Stam and
Alessandra Raengo. Malden: Blackwell, 2004. 92-111.
- --. "Two 'stylists' of the teens: Franz Hofer and Yevgenii Bauer."
A Second life: German cinema's first decades. Ed. Thomas
Elsaesser. Amsterdam: Amsterdam UP, 1996.
Bekmambetov, Timur (1962- ):
- Campbell, Thomas H. "Five Theses About Timur Bekmambetov's Day
Watch." KinoKultura
12 (April 2006).
- Norris, Stephen. "In the Gloom: The Political Lives of Undead Bodies in Timur Bekmambetov's Night Watch."
KinoKultura 16 (April 2007).
Belye Stolby Archival Film Festival:
(see also Gosfil'mofond)
- Malyshev, Vladimir. Gosfil'mofond: Zemlianichnaia
poliana. Moskva: Pashkov Dom, 2005.
- Padunov, Vladimir. "Storing and Restoring History: Gosfil'mofond
and the 10th Belye Stolby Archival Film Festival."
KinoKultura 12 (April 2006).
Bobrova, Lidiia (1952- ):
- Bobrova, Lidiia. "Blagopoluchnaia Verkola." Iskusstvo
kino 5 (1998): 29-33.
- Iensen, T. "Byt' da byt'." Iskusstvo kino 5 (1998):
18-29.
- Sirivlia, Natal'ia and Mikhail Trofimenkov. "V toi strane."
Seans 16 (1997): 86-89.
Bodrov, Sergei (1948- ):
- Andrew, Joe. "'I love you, dear captive': gender and narrative in
versions The Prisoner of the Caucasus."
Russian and Soviet Film Adaptations of Literature, 1900-2001:
Screening the word. London: RoutledgeCurzon, 2005. 181-193.
- Arkus, Liubov', Aleksandr Timofeevskii, Marina Drozdova, and Andrei
Plakhov. "Kavkazskii plennik." Seans 15 (1997):
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Russian Popular Culture." Journal of Popular Culture 31.4
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- Bodrov, Sergei. "Cross-Eyed Sasha" (screenplay for SER--Svoboda
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- Gerould, Daniel. "Eastern European Bear Hugs: Cinema, Theatre,
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(1998): 34-35.
- Michaels, Paula. "Prisoners of the Caucasus: From Colonial to
Postcolonial Narrative." Russian Literature on the Silver
Screen. Russian Studies in Literature. 40.2 (Spring
2004): 52-77.
- Zimmerman, Carlota. "War Without Peace." Russian
Life. Feb 1997: 10-11.
Bondarchuk, Sergei (1920-1994)
- Baraban, Elena. "The Fate of a Man by Sergei Bondarchuk and
the Soviet Cinema of Trauma." Slavic and East European
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- Palatnikova, Ol'ga, comp. Sergei Bondarchuk v vospominaniiakh
sovremennikov. Moskva: EKSMO, 2003.
- Tiurin, Iurii. "Khudozhestvennyi mir Sholokhova i kino" in
Perspektiva pamiati. Moskva: Materik, 2004. 64-142.
- ---. "Posledniia bitva Napoleona" in Perspektiva pamiati.
Moskva: Materik, 2004. 52-63.
Burliaev, Nikolai (1946- )
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Moskva: Algoritm, 2003.
Bykov, Rolan (1929-1998):
- Condee, Nancy and Vladimir Padunov. "Children At War: Films by
Gubenko, Evtushenko, and Bykov." Framework 30/31 (1986):
16-35.
- Condee, Nancy. "Scarecrow: Public and Private
Responses." Newsletter 6 (March 1985). Hanover: Institute
of Current World Affairs: 1-7.
- Eagle, Herbert. "Soviet Cinema Today: On the Semantic Potential of
a Discredited Canon." Michigan Quarterly Review 28.4
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- Gershkovich, Alexander. "Scarecrow and
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Philosophy of Culture 2. NY: Peter Lang, 1994.
Cherkasov, Nikolai (1903-1966):
- Cherkasov, Nikolai. Notes of a Soviet Actor.
Trans. G. Ivanov-Mumjiev and S. Rosenberg. Moskva: Foreign Languages
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- Parfenov, Lev. Nikolai Cherkasov. Moskva: Materik,
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Chiaureli, Mikhail (1894-1974):
Chukhrai, Grigorii (1921-2001):
- Chukhrai, Grigorii. Moe kino. Moskva: Algoritm,
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- Ezhov, Valentin. "Ballada o soldate." Beloe solntse
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- Shneiderman, Isaak. Grigorii Chukhrai. Moskva:
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- Daneliia, Georgii. Bezbiletnyi passazhir. Moskva:
Eksmo, 2003.
- Demin, Viktor. Georgii Daneliia. Moskva:
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- Krasnova, G.V., ed. Georgii Daneliia: Sbornik. Moskva:
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- Turovskaia, Maia. "Mark Donskoi v dvoinom svete."
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Dovzhenko, Aleksandr (1894-1956):
- Anninskii, Lev. "Khrust iabloka." Kinovedcheskie
zapiski 23 (1994): 167-170.
- Aronson, O.V. "Kinoantropologiia Zemli."
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- Carynnyk, Marco. "Collective Dreams."
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- Dobrenko, Evgeny. "Creation Myth and Myth Creation in Stalinist Cinema." Studies in Russian and Soviet
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- --. The Poet as Filmmaker: Selected Writings. Tr. Marco
Carynnyk. Boston: MIT P, 1973.
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Kinovedcheskie zapiski 23 (1994): 170-174.
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- Gurko, S.L. "Fonogramma fil'ma Zemlia."
Kinovedcheskie zapiski 23 (1994): 185-188.
- Iakimovich, A.K. "Dovzhenko i 'novaia pervobytnost'."
Kinovedcheskie zapiski 23 (1994): 137-141.
- Kepley, Vance, Jr. In the Service of the State: The Cinema
of Alexander Dovzhenko. Madison: U of WI P, 1986.
- Korohodsky, Roman. Dovzhenko v Poloni: rozvidky ta eseï
pro maistra. Kyiv: Helicon, 2000.
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Zemlia." Kinovedcheskie zapiski 23 (1994):
174-177.
- Liber, George O. "Adapting to the Stalinist Order: Alexander
Dovzhenko's Psychologfical Journey, 1933-1953." Europe--Asia
Studies 53.7 (2001): 1097-1116.
- ---. Alexander Dovzhenko: A Life in Soviet Film.
London: BFI, 2002.
- ---. "Death, Birth, Order and Alexander Dovzhenko's Cinematic
Visions." Kinema 13 (2000): 57-74.
- ---. "Dovzhenko, Stalin, and the (Re)creation of Shchors."
Harvard Ukrainian Studies 21.3-4 (1997): 271-286.
- ---. "'Till Death Do You Part': Varvara Krylova, Yuliya Solntseva and
Oleksandr Dovzhenko's Muse." Australian Slavonic and East European
Studies 14.1-2 (2000): 75-97.
- Margolit, Evgenii. "Postroenie sotsializma ekrannymi sredstavami."
Kinovedcheskie zapiski 23 (1994): 107-111.
- Marshall, Herbert. Masters of the Soviet Cinema: Crippled
Creative Biographies. London: Routledge and Kegan Paul, 1983.
- Pazhitnova, Liudmila and Iuliia Solntseva, eds. Dovzhenko v
vospiminaniiakh sovremennikov. Moskva: Iskusstvo, 1982.
- Rabinovich, V.L. "Vsega--na pervoi stranitse." Kinovedcheskie
zapiski 23 (1994): 122-129.
- Schnitzer, Jean and Luda Schnitzer. Alexandre
Dovjenko. Paris: Editions Universitaires, 1966.
- Sergeeva, T.V. "Kompozitsiia poeticheskoi stroki."
Kinovedcheskie zapiski 23 (1994): 177-180.
- Skits, S.V. "Mifologicheskaia struktura Zemli."
Kinovedcheskie zapiski 23 (1994): 180-181.
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Iskusstvo, 1980.
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Priglashenie k razgovoru." Kinovedcheskie zapiski 23
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- Larsen, Susan. "Melodramatic Masculinity, National Identity, and the
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Iskusstvo kino 11 (1992): 3-9.
Go to Russian and
Soviet Cinema: Bibliography