About Us
Contents
Contributors
Archives
Submissions
Links
Home


No. 9 Summer 2005


Contents
PoetryFictionCreative Nonfiction
 
Art by Amie Robinson   Poetry

Towards a History of Surrealism
Column by Scott M. Silsbe

Ten Coyotes Eke Out
by Joanne Lowery

The Red Faced Bird
by Jim Goar

Petty Winter
by David Blair

The Discussion Turned Modular
by Tyler Carter

The Inheritance
by Andrew Michael Roberts

Spinach and Peas
by Adnan Adam Onart

Knock on Wood
by Chuck Rybak

Fiction  
Art by Amie Robinson               

Being Part of the World: An Interview with ZZ Packer
by Jeff Janssens and S. Zoe Wexler

The Sad Early Days of a Famous Scuba Diver
by John Parras

I Have Heard Asphyxiation Is the Worst Way to Die
by Ross Davenport Simonini

Sliced Thin
by Tanya Underwood

Art by Amie Robinson   Creative
Nonfiction

Location and Revision: Discussing place with Eddy L. Harris
by Missy Raterman and S. Zoe Wexler

Hey Ya
by Maura Kelly

Report from Wyoming: Peripheral Vision
by Kelly Madigan Erlandson

Cat Scratch Fever
by Jim Reese


About Us | Contents | Contributors
Archives | Submissions | Links
Home
 

Art by Amie Robinson
Mess from the Nest:
We're HUGE! Our final issue in the single digits is double-size!

Features

Being Part of the World: An Interview with ZZ Packer: ZZ Packer talks in-depth with Jeff Jansens and S. Zoe Wexler about her processes of drafting and revising, as well as the importance of a writer's awareness of the world.

Location and Revision: Discussing place with Eddy L. Harris: Eddy L. Harris talks with Missy Raterman and S. Zoe Wexler about writing from the outside of a place, the dangers of being categorized, and luck in publishing.

Towards a History of Surrealism: In the first of a two part series, Scott Silsbe delves into the realm of surrealist poetry, covering writings from Andre Breton to Robert Bly.



Art
©2005 by Amie Robinson

Nidus #9
Editors and Readers


Please visit our sponsor:
Algonquin books

Would you like to be a sponsor? Email us at nidus@pitt.edu


This on-line publication supported by the Writing Program at the University of Pittsburgh's English Department.