by her mother (heroin, highballs, hammer) later confided to a school friend that she began to wonder if her DNA was encoded for disaster, that the snarling voice of taxis was radioactive and that sunlight tasted like mud flowers try as she might, she could not spit it all out. A few days later, this girl, a swirl of lavender, ran into Times Square howling like an old crone in a black shawl who was now alone forever. She ran from the cops as if from angry bees, and seeing only barbed wire and cemetery stones, she cried out for thunder-winged angels and holy water to wash out the filth from her eyes; when the sun edged around a cloud, in the heat of its own arrival it became a bright red rosary and the girl understood at last that to wear its light was to believe in something else, that God had let scatter the seeds of truth in her furrows, and that’s when the icepick rammed home, right through above the ear, through the side of the skull, her own mother making a sacrifice without needing a tree, some timbers, nails and hammer. Arms around her daughter, the weeping mother prayed for the Good Lord not to teach her any more prayers, that this duty, the tool gone heavy in her hands, was enough.
Mille Et Un Sentiments (301-400) | New York
Copyright 2001, Ryan
G. Van Cleave nidus is an online publication supported by the Writing Program at the University of Pittsburgh's English Department.
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