Review for Exam #1


What to know – Readings:

For all tales, know the titles, the major plot details, and the names of the main characters - this applies to all tales, not only those covered in lecture.

For tales that are grouped or share numerous features, know more of the subtle differences between them.

For tales with morals - know the moral and its relation to the actual tale.

Know background information such as historical and social explanations for figures and phenomena in tales as presented in lecture.


Tales Covered:

1-24 (Prologue; Origins, Miracles)

25-45 (Fairies, Demons, Witches, Ghosts and Vampires)

46-64 (Roots: Family, Home and Nation)

65-84 (Rules for Living)

85-106 (Children at Risk)

107-129 (Abandonment and Changelings, Young Giants)

129-149 (Sexual and Physical Abuse I)

150-172 (Sexual and Physical Abuse II)


Important Terms: 

Indo-European 

Folklore

    -form

    - functions

Genres of Folktale Literature

    Myth

    Fairy-Tale

    Legend (Urban Legend)

    Fable

Four Major Directions of Folktale Research (and their contributions)

    Origin

        19th Century

            - Volkspoesie (poetry of the people)

            - Indo-European

            - monogenesis/polygenesis

            - solar mythology

        Historical-Geographical School

            - motif

            - type

            - Aarne-Thompson Index

    Form

        Formalism (Propp)

            - function

        Structuralism (Lévi-Strauss)

    Meaning

        Psychoanalysis (Freud, Jung)

            - Dreams

            - Oedipal Complex

            - Archetypes

    Style

        Max Lüthi

            - one-dimensionality

            - depthlessness

            - abstraction

            - isolation and universal connection

        Performance-Centered Approach


Important People:

William Jones (Sanskrit)

Johann Gottfried Herder

The Brothers Grimm

Friedrich Max Müller

Theodor Benfey

Antti Aarne and Stith Thompson (Aarne-Thompson Index)

Sigmund Freud

Carl Jung

Bruno Bettelheim

Max Lüthi

Vladimir Propp


Terms from the Tales

Vampire

    Vlad Tepes Dracula

    Elizabeth (Erzsebet) Báthory

Troll

Witch

    - familiar

    - Witches’ Sabbath

Changeling

Giant

Fairy

    - animism

Demon

Golem / Homunculus

    - Rabbi Loew

St. George / Dragonslayers

El Khudr

Thumbling

Frau Holle

Baba Yaga

Wicked Stepmothers


Fable Collections/Collectors

Aesop

the Panchatantra

the Jataka Tales

Charles Perrault

Grimms

Aleksandr Afanasyev


 

Review for Exam #2


What to know – Readings:

For all tales, know the major plot details; this applies to all tales, not only those covered in lecture.

Be famliar with the recitation readings from The Classic Fairy Tales -- know the main arguments to be associated with each scholar/critic.

For tales that are grouped or share numerous features, know the subtle differences between them (for example, what are the differences between similar tales such as "The Flying Ship" and "The Rabbit Herd"?).

For tales with morals, know the moral and its relation to the actual tale.

Know background information such as historical and social explanations for figures and phenomena in tales (for example, what background information do you know about the Trickster figure?  What social function might such a figure serve?).

Know interpreters and interpretations of tales as discussed in lecture (for example, how would a psychoanalytic critic interpret "Jack and the Beanstalk"? What are some of the various interpretations of the "Little Red Riding Hood" tale?).

Note: A significant majority of the test will address specific tales, their plot details, their background, their interpretation, etc.  Please review the tales in detail and be able to recognize them by their title (for example, can you recall plot differences between the the three tales, "The Little Donkey, " "The Lion, the Fox, and the Donkey," and "The Man, the Boy, and the Donkey"?)

 

Important People and Terms

Sigmund Freud

Freudian Stages of Sexual Development

    -oral

    -sadistic/anal

    -phallic

    -genital

Oedipal Conflict

Latency

Bruno Bettelheim

Undine

Cupid and Psyche

Charles Perrault

Patriarchy / Matriarchy

Jeanne-Marie LePrince de Beaumont

Jean Cocteau

Disney

David Gilmore (Manhood in the Making)

Folk Hero

Friedrich Nietzsche (On the Genealogy of Morals)

    -Good and Bad / Good and Evil

Hans Christian Andersen

Influences of various types of tales on popular culture (e.g. Coming of Age, Animal Brides and Grooms, Tricksters)

 

Terms from the Tales

Coming of age

    -male

        -Wild Man

        -simpleton

    -female

        -spinning

Animal Brides

Animal Bridegrooms

Abandoned Women

Power and Morals

    -Reactions to Abuse of Power

Tricksters

    -Till Eulenspiegel

Fools

    -Traditions and Celebrations

Wife Beaters

 

Recitation Readings

Bettelheim: "The Struggle for Meaning" and "Hansel and Gretel"

Gilbert and Gubar: "Snow White and Her Wicked Stepmother"

Rowe: "To Spin a Yarn: The Female Voice in Folklore and Fairy Tale"

Warner: "The Old Wives' Tale"

Tatar: "Sex and Violence: The Hard Core of Fairy Tales"


 

Review for Exam #3

Review Sheet - Final Exam

What to know – Readings:

For all tales read since Exam #2 (including assigned videos), know the major plot details - this applies to all tales, not only those covered in lecture.

For tales since Exam #2 that are grouped or share numerous features, know more of the subtle differences between them (for example, what are the plot differences between tales as similar as "The Tiger's Bride," "The Brahman Girl that married a Tiger" and "Your Hen is in the Mountain").

For tales since Exam #2 with morals - know the moral and its relation to the actual tale

Know background information such as historical and social explanations for figures and phenomena in tales since Exam #2. For example, what does it tell us about a culture that adultery tales are only about female adulterers, not males?

Know interpreters and interpretations of tales as discussed in lecture (what do tales about wife beaters tell us about the relationship between men and women in past societies?).

Be familiar with lecture material from the whole semester. This means knowing:

-definitions of significant terms

-schools of folktale scholarship

-genres, and interpretations of folktales

-significant individuals both in folklore and in folklore scholarship

-names and authors of folktale collections

Be familiar with the recitation readings from The Classic Fairy Tales -- know the main arguments to be associated with each scholar/critic.

The Exam will have 75 questions. 50 will be based on material covered since Exam #2 (reading and lecture); 25 will be based on lecture material covered for both Exam #1 and Exam #2. The readings for Exam #1 and Exam #2 will not be covered on this test.

Specific Review - 3rd Part of the Semester

Tales and Videos

Bluebeards

Shrewish Wives

Women Who Rule their Husbands

Talkative Wives

Foolish Wives

Division of Labor

Adultery

Virtuous Wives

Old Age

Death: Young and Old

Disney Films:

-Snow White

-Cinderella

-Beauty and the Beast

Feminist Retellings (Sexton and Carter)

Parody of Folktales

-Shrek

-Dahl

Terms:

memento mori

mourning

melancholy

feminism

patriarchy

sublimation of violence

irony

parody

People:

Gilles de Rais

Cunmar the Accursed

Jane Campion (The Piano)

Margaret of Navarre (The Heptameron)

Giovanni Boccaccio (The Decameron)

Walt Disney

Angela Carter

Anne Sexton

Roald Dahl

Recitation Readings:

Donald Haase: “Yours, Mine, or Ours? Perrault, the Brothers Grimm, and the Ownership of Fairy Tales”

Zohar Shavit: “The Concept of Childhood and Children’s Folktales: Test Case – ‘Little Red Riding Hood’”

Jack Zipes: “Breaking the Disney Spell”

General Review - First Part of the Semester

Important People

Jakob and Wilhelm Grimm

Antti Aarne and Stith Thompson (Aarne-Thompson Index)

Sigmund Freud

Carl Jung

Bruno Bettelheim

Max Lüthi

Vladimir Propp

Vlad Tepes Dracula

Elizabeth (Erzsebet) Báthory

Aesop

Charles Perrault

Aleksandr Afanasyev

Friedrich Nietzsche

Jeanne-Marie LePrince de Beaumont

Hans Christian Andersen

Important Terms:

Indo-European

Folklore

- form

- functions

Genres of Folktale Literature

-Myth

-Fairy-Tale

-Legend (Urban Legend)

-Fable

Four Major Directions of Folktale Research (and their contributions)

-Origin

-19th Century

- Volkspoesie (poetry of the people)

- Indo-European

- monogenesis/polygenesis

- solar mythology

Historical-Geographical School

- motif

-type

- Aarne-Thompson Index

Form

-Formalism (Propp)

- function

-Structuralism (Lévi-Strauss)

Meaning

-Psychoanalysis (Freud, Jung)

- Dreams

-Freudian Stages of Sexual Development

-oral

-sadistic/anal

-phallic

-genital

-Oedipal Complex

-Latency

-Archetypes

Style

-Max Lüthi

- one-dimensionality

- depthlessness

- abstraction

- isolation and universal connection

-Performance-Centered Approach

the Panchatantra

the Jataka Tales

Patriarchy

Folk Hero

Terms and Figures from the Tales

Vampire

Troll

Witch

-familiar

-Witches’ Sabbath

Changeling

Giant

Fairy

-animism

Demon

Golem / Homunculus

St. George / Dragonslayers

Thumbling

Frau Holle

Baba Yaga

Wicked Stepmothers

Coming of age

-male

-simpleton

-Wild Man

-female

-spinning

Children at Risk

-Physical and Sexual abuse

Animal Brides

-Undine

Animal Bridegrooms

Abandoned Women

Power and Morals

-Reactions to Abuse of Power

Tricksters

-Till Eulenspiegel

Fools

-Traditions and Celebrations

Wife Beaters