[all works ASCAP]
ORCHESTRAL AND LARGE ENSEMBLE
Tri-Stan (2003) for mezzo-soprano
and 10 players, 48', text by David Foster Wallace, commissioned by
Mary Nessinger, Sequitur, NYC,2004-2005 season
Fierce Lament (2002) for chamber orchestra 2-2-2-2/2-2-1-1/1
perc., pno/strings 8' University of Pittsburgh Chamber Orchestra,
Roger Zahab cond. 4/17/02
Time, A Maniac Scattering Dust
(1999) for wind ensemble 3' commissioned by Washington & Jefferson
College, Washington PA W & J Wind Ensemble, John Bauerlein cond. 5/2/99
No Time Like the Present (1996) for orchestra
3-3-3-3/4-3-3-1/3 perc, timp, pno, hrp/strngs 5' commissioned by the
Pittsburgh Symphony Pittsburgh Symphony, Maris Jansens, cond. 2/20/98
Kicking and Screaming (1994) [C.F. Peters]
chamber concerto for piano and 10 players 24' commissioned by the
Fromm Foundation Speculum Musicae, Aleck Karis, pno, Don Palma cond.
Merkin Concert Hall, NYC 3/15/95
Off Trail (1988) for orchestra 2-2-3(or
2)-2, 4-2-3-1, 2 perc., pno, hp, strings. 17' commissioned by the
Fremont Philharmonic Fremont Philharmonic conducted by David Sloss,
5/7/89, Chabot College, Hayward CA
CHAMBER MUSIC
Teeth of the Sea (2003) for
percussion solo (conga drum and tumba) 4' commissioned by Michael
Lipsey, M. Lipsey, NYC 2/04
Echo's Brief Lament (2003) for piano solo [A|B|R|S|M
Publishing]
Preamble & Dreamsong from the 4-5 a.m. REM Stage (2003)
for alto flute piano 8' commissioned by Rachel Rudich.
R. Rudich, fl, E. Moe, pno Pomona College, Claremont, CA, 2/11/04
down the stream, merrily (2002) for two marimbas 2í commissioned
by DoublePlay, Stephen Paysen and Dominic Donato, Symphony Space,
NYC, 10/21/03
Pulaski Skyway Waltz (2002) for solo piano 5í Eric Moe, Myrna
Loy Theater, Helena, MT 7/11/02
Eight Point Turn (2001) for fl, ob, cln, bsn, vla, cb, perc,
pno 12í commissioned by the Philadelphia Music Project and the NEA
for Rel’che. Rel’che, Ethical Culture Society, Philadelphia, PA 9/27/01
Three Ways to Relieve Tension (2001) for solo piano 11í commissioned
by Meet the Composer USA for David Holzman. Eric Moe, pno, Churchill
College, Cambridge UK, 9/2/01
Dead Elf Tugboat (2000) for flute and keyboard sampler 9' commissioned
by Rachel Rudich Rachel. Rudich, fl, Eric Moe, kbrd. Pomona College,
Claremont, CA 2/3/01
Repeat Offender (2000) for fl, cln, alto sax, vln, vlc, perc,
pno 20í commissioned by the Network for New Music The Network for
New Music, Settlement School, Phila, PA 4/22/01
The Shocked Music of Pearls (2000) for string quintet 2-1-1-1
8' commissioned by Elixir. Elixir, Candlelight Soirees, Temple United
Methodist Church, SF, CA 5/14/00
Where Branched
Thoughts Murmur in the Wind for piano solo (2000) 4' commissioned
by David Holzman. David Holzman, pno. St. Stephen's, NYC 3/16/00
Rough Winds Do Shake the Darling Buds (1999) for saxophone
trio (alto, tenor, baritone) 12' commissioned by the RaschËr Saxophone
Quartet RaschËr Saxophone Quartet, Jakarta, Indonesia 6/5/01
Dance of the Honey Monkey (1999) for piano solo 5' Eric Moe,
pno. Bellefield Auditorium, Pgh, PA 10/8/99
The Lone Cello (1998) for 'cello solo 11' commissioned by David
Russell David Russell, vlc. Pgh, PA 2/23/99
Fled Is That Music (1998) for flute and piano 14' commissioned
by Rachel Rudich Rachel Rudich, fl, Eric Moe, piano. California Institute
for the Arts, Pasadena CA 10/22/98 Nocturne (1997) for piano solo
5' Eric Moe, Frick Fine Arts Auditorium, Music on the Edge, Pgh PA
1/27/98
And Life Like Froth Doth Throb (1997) for viola and 'cello
4' commissioned by the Fogg/Flaherty Duo Cynthia Fogg, vla, Tom Flaherty,
vlc. Bridges Hall, Claremont, CA 9/27/97
Blue Air (1996) for violin and piano 8' commissioned by Roger
Zahab Roger Zahab, Eric Moe. Prism, NYC 12/2/96; Music on the Edge,
Pgh 11/19/96
Time Will Tell (1996) quintet for fl/picc, cln/bass cln, vln,
vla, piano 11' commissioned by the Washington Square Contemporary
Music Society Washington Square Contemporary Music Society, Purvis,
cond. Miller Theater, NYC 4/9/96
On the Tip of My Tongue (1993) bass clarinet and keyboard synthesizer
(or solo b.cln. and CD) 14' commissioned by Tim Smith Tim Smith, b.cln.,
Pomona College, Claremont, CA 2/6/93 Sad Steps (1992);
Fancy Footwork (1994) for oboe and piano 7'/4' commissioned
by Marcia Butler Marcia Butler, ob. Fairfield CT 1/17/93; Weill Hall,
NYC 2/21/95
Grand Étude Brillante (1991) for
piano 6' commissioned by The Etude Project for Alan Feinberg Alan
Feinberg, West Point, NY 5/3/92
We Happy Few (1990) for vln, vlc, pno 12' commissioned by the
Washington Square Contemporary Music Society Washington Square Contemporary
Music Society, Weill Hall, NYC 2/26/91
Sonatuna (1990) for clarinet and string
quartet 7' commissioned by the amateur musicians of the Wellesley
Composers Conference Wellesley Composers Conference 8/4/90, Jewett
Arts Center, Wellesley, MA
riprap (1989) for flute, 'cello, percussion, pno. 7' commissioned
by the Stony Brook Contemporary Music Ensemble Stony Brook Contemporary
Music Ensemble, 4/29/90, Merkin Hall, NYC
Up & At 'Em (1988) for alto fl, Eng hrn, bass cln, vla, pno.
16' commissioned by the Koussevitzky Foundation Wellesley Composers
Conference 8/3/89, Jewett Arts Center, Wellesley, MA
A Whirling and a Wandering Fire (1986) for fl, cln/b cln, pno
9' EARPLAY, 3/24/86, Unitarian Church, San Francisco CA
Variations (1985) for 'cello and piano 15'
commissioned by Laszlo Varga Laszlo Varga, vlc, Karen Rosenak, pno,
10/1/85, Unitarian Church, San Francisco CA
Fantasy (1984) for piano 12' Spring concert,
American Academy in Rome, E. Moe, pno, 5/31/84, Villa Aurelia, Rome
VOCAL AND CHORAL
Tri-Stan (2003) (see
large ensembles)
Siren Songs (1998) for soprano and chamber orchestra 2-2-2-2/2-2-0-0/2
perc./strings 27' Kelly Lynch, sop. with Univ. of Pgh Chamber Orchestra,
Zahab cond. 2/21/99
voice and piano version: Elizabeth Farnum, sop. and Eric Moe,
pno North River Music, Greenwich House, NYC 11/8/01
voice and chamber ensemble: (sop, fl, cln/b.cln, vln, vlc,
perc, pno) Barbara Kokolus, Furious Band, Music on the Edge, Pgh PA
3/29/03
Sonnets to Orpheus (1997) for soprano, oboe,
string quartet and piano 35' commissioned by Christine Brandes Christine
Brandes, sop. with Alea III, Lemon cond. 12/1/97 Campbell Hall, Stanford
CA
Songs of Connection (1996) for soprano, flute, and harp 9'
commissioned by the Jubal Trio Jubal Trio (Schadeberg, Kahn, Jolles),
New School, New York, 2/20/97
O vos omnes (1991) for chorus (SATB) 6' commissioned by the
Bellefield Singers Bellefield Singers, Heinz Chapel, Pgh PA 5/19/91
Byzantium (1987) for baritone, fl, cln/b
cln, tpt, vln, vlc, cb, perc, pno. 18' Allen Shearer, bar. EARPLAY,
composer cond., 3/30/87 Unitarian Church, San Francisco
Songs Not So Serious (1984) for soprano
and piano 10' Composers Inc., Anna Carol Dudley, sop, E. Moe, pno,
5/14/85, Mus. of Mod. Art, SF, CA
ELECTROACOUSTIC AND MULTIMEDIA
>concert music
Mouth Music (1995)
electroacoustic, computer with optional keyboard controller 6' Music
on the Edge, Frick Fine Arts Auditorium, Pgh, PA 10/31/95
Songs and Dances of the Automobile (1988)
electroacoustic, FM synthesis. 14' EARPLAY, 2/22/88, Unitarian Church,
San Francisco CA
>multimedia
The Sight of Stillness (2003) electroacoustic music 28', for
documentary video by Carolyn Speranza, funded by the Heinz Foundation,
Pittsburgh Fimakers, 3/22/03
The Earth Breathing Through Its Elements (2001) electroacoustic
16'music for video installation. With video artist Carolyn Speranza.
commissioned by First Night Pittsburgh Inc. and funded in part by the
Pennsylvania Partners in the Arts program of the Pennsylvania Council
on the Arts
Le Trois Behagas Clothed With the Sky, Wink
(2000) electroacoustic 13' music for installation by sculptor Robert
La Bobgäh commissioned by Robert La Bobgäh
The Trojan Women, incidental electroacoustic
music. Euripides, trans. Frederick Williams, directed by C.H. Moe. McLeod
Theater, Southern Illinois University, 10/5/90
The Life of the Automobile, incidental electroacoustic music
(with Mathew Stramoski). Multi-media/performance art work, conceived
and directed by R.G. Davis after the Ilya Ehrenburg novel. McKenna Theatre,
San Francisco 3/17/88
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