During the early 1940's, Louis Armstrong performed primarily with big bands. During these years, his popularity declined. Armstrong was a performer and did not have the discipline or organizational skills required of a successful bandleader. To complicate matters further, the big bands began to decline in popularity after W.W. II.
1947 was an interesting year in jazz. Two important and contrasting events occurred. First, Charlie Parker and Dizzy Gillespie brought be-bop to the jazz forefront, establishing a progressive movement that would become the dominant jazz form for years.
That same year, Louis Armstrong (under the supervision of his manager Joe Glaser) abandoned big bands and formed a small group known as "The All-Stars." Armstrong would tour with these "All-Stars" for the remainder of his life. Whereas the be-boppers emphasized experimentation and complexity, Louis Armstrong and his All-Stars put forward traditional, small-group jazz with a pop/dixieland flavor. These two contrasting musical trends created significant friction for some years. However one feels about traditional jazz and be-bop, Louis Armstrong worked most comfortably in a small ensemble, and he is to be given credit for sticking to what he did best, even when it went against the popular trend.
Learn more about Louis recordings in the 1940's and what is available on CD by clicking on the albums above.
